Minolta AF 100-400 F4.5-6.7 APO reviews
sharpness: 4.5 color: 4 build: 4 distortion: 5 flare control: 5 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
SAL70400G |
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price paid: |
475 USD(used) |
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positive: |
Sharp on SLT-A77, best at F9.0 |
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negative: |
Slow focusing comparing to sony 70400G |
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comment: |
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sharpness: 4.5 color: 5 build: 5 distortion: 5 flare control: 5 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
tamron 55-200, minolta 100mm macro D, minolta 500mm f/8 |
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positive: |
size and weight |
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negative: |
quite rare |
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comment: |
I go often trekking on Alps. I bought this lens (matsuyiastore on ebay) because it seemed a good compromise between size and focal range (and affordability), and soon was amazed about unexpected performance, assuming it is a non-G lens. |
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sharpness: 4.5 color: 4 build: 4 distortion: 4 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Sony 70-300G |
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price paid: |
300 AUD |
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positive: |
Image quality |
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negative: |
slow (f6.7) |
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comment: |
I was lucky to pick up a minty copy on fleabay for significantly less than I thought I was going to have to pay - lucky me! I really like this lens, although realistically it's only viable handheld in good light. It loves a good tripod, and I have achieved some excellent moon shots with it. |
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sharpness: 5 color: 5 build: 3 distortion: 5 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
70210 f4 beercan |
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price paid: |
500USD (RM1450) ~USD500 |
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positive: |
-Lightweight for this range |
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negative: |
-abit slow (135@f5,150@5.6,200@6.3 onwards) |
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comment: |
This copy I bought was 3rd hand, however it came MIB(mint in box) and was virtually brand new. lucky to get a well kept good copy. |
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sharpness: 4.5 color: 5 build: 4 distortion: 5 flare control: 5 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
80-200APO |
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price paid: |
250 euro |
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positive: |
Size vs focal length |
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negative: |
Build |
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comment: |
This is actually a lens I paid about it's market value. But I wanted to round up my line-up on the long focal lenghts and this was perfectly fitting in. I use this for the occasional shooting of my kids at distance and sometimes wildlife. |
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sharpness: 4.5 color: 5 build: 4 distortion: 5 flare control: 5 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
100-300 xi |
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price paid: |
320 euros |
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positive: |
Fast focusing on A33. |
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negative: |
Double weight than the 100-300 xi. |
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comment: |
Best sharpness at 360 mm and f11 on a tripod. |
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sharpness: 5 color: 4 build: 4 distortion: 5 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Sony 18-250 |
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price paid: |
475 |
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positive: |
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negative: |
Non so far. I am a Happy Camper with this lens |
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comment: |
This lens paired up with the new Sony SLT A-33 is Amazing. I think the extremely fast focus of the A-33 makes this lens a real walk around lens. I seem to get clarity at full zoom from as close as 10 feet. Still experimenting with the lens, but so far I have found no negatives. |
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sharpness: 4 color: 5 build: 3 distortion: 5 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
(shouldn't this be compared "with"?) Sony DT55-200 f4-5.6 kit lens. |
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price paid: |
about 200 GBP used |
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positive: |
In relatively good light, the 400m range is tremendous and it responds relatively well when I am shooting birds or other animals at distance. |
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negative: |
The barrel creep is annoying, making things particularly difficult if trying to pick something out at a different height. |
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comment: |
Except for the barrel creep, I cannot complain about this lens. I wanted the range, didn't like the 500 reflexes' bokeh, couldn't afford the G lenses, etc. Despite my grumbles, I have been exceptionally happy with its performance for the price (I forget the exact price). It has enabled me to take nature pictures that I just would not have been able to get with my other lenses. |
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sharpness: 4 color: 5 build: 4 distortion: 4 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Sony 70-300 |
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price paid: |
415 |
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positive: |
Compact. Great range. Fast AF. Sharp when accurately focused. |
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negative: |
Needs good light. Noisy AF. No tripod collar. Vignetting wide-open even on APS-C. |
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comment: |
I bought this lens as an inexpensive stopgap solution until I can afford a Sony 70-400. Good color and contrast. Backfocuses a bit on my A33, but sharp manually-focused up to about 300mm, acceptable past that. Nice build quality for the class...obviously no weather-sealing, but other than that it's built to last. Zoom and manual focus are smooth and well-damped. Could use a tripod ring. |
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sharpness: 4.5 color: 5 build: 5 distortion: 5 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Min 500 Reflex |
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price paid: |
usd 356 used |
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positive: |
Minolta colors |
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negative: |
weak, but adequate, hood |
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comment: |
This is a very pleasant lens to use. It focusses accurately at all lengths, and is sharp enough for me all across the frame at all lengths. The hood is adequate, but not like the 70300G, -- when fully extended the lens is long but not enormous: the focussing is fast enough, but not instant; the weight is fine. I like the slightly slimmer Minolta size to the modern bulkier lenses. It isn't a battery draining lens. |
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sharpness: 5 color: 5 build: 4 distortion: 5 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Minolta 100-300mm APO D |
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positive: |
+very sharp |
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negative: |
-zoom creep |
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comment: |
Excellent sharpness. Better than the Minolta 100-300 APO D. The zoom creep was annoying though. For travel I preferred the 100-300 APO D for its more compact size. |
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sharpness: 4 color: 4 build: 5 distortion: 5 flare control: 5 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
75-300 big beer can |
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price paid: |
430US$ |
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positive: |
Highest range zoom from MINOLTA. Very sharp on my 7D. Nice colors and good quality picktures on 7d |
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negative: |
Not so good on A900. Needs to be stepped down 2 steps to get rid of CA. Not the sharpest on my 24mp A900 camera. |
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comment: |
On my 7D this lens have given me lots of good picktures. It is sharp and balances well with the camera when I use the battery grip. On my A900 I was a bit dissapointet where it is only good and the IQ seems to not hold up complete on 24mp. Using it at 13mp gives better results. |
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sharpness: 4 color: 4 build: 4 distortion: 4 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Sony 70-200 2.8 |
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positive: |
lightweight |
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negative: |
slow AF |
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comment: |
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sharpness: 4.5 color: 5 build: 5 distortion: 4 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Minolta 24 2.8 |
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price paid: |
500 Euro |
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positive: |
Colour |
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negative: |
AF in low light |
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comment: |
This lens produces; Beautiful colours, nice bokeh and you can get really sharp pictures. |
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sharpness: 3.5 color: 4 build: 4 distortion: 4 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Minolta AF 300 f4 APO HS |
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price paid: |
525 USD (used) |
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positive: |
Compact, light and well-built for its focal range |
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negative: |
Softens above 200mm, focus ring stiffens above 300mm, AF slow and inaccurate |
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comment: |
I bought this lens used but with the optics in excellent shape. Nevertheless, it was noticeably soft above 300mm even at f8 or higher and definitely not in the same league as the primes listed above or the 70-400 G. CA is under control but not completely absent. |
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sharpness: 3.5 color: 3 build: 5 distortion: 4 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
beercan |
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price paid: |
L350 |
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positive: |
very compact |
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negative: |
slow AF |
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comment: |
the main selling point of this lens is it's compact and hand holdable - most zooms lenses of this range will be around double the weight and really intended to be used mainly on tripods. |
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sharpness: 5 color: 5 build: 4 distortion: 5 flare control: 5 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Minolta 75-300 Beercan |
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positive: |
Sharp |
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negative: |
AF not that fast, but OK |
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comment: |
Wonderful lens, perfect focal range, sharp wide open, even at 400mm (A700 better at F8), nice Minolta colours, superb dimensions for a 400mm range - JUST LOVE IT! |
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sharpness: 4.5 color: 5 build: 4 distortion: 5 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Sigma 75-300 |
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price paid: |
500€ |
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positive: |
-Sharp |
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negative: |
-external focusring |
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comment: |
After long time searching, found one in new condition in Japan. |
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sharpness: 4.5 color: 5 build: 4 distortion: 5 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Minolta "beercan" 70-210/4 |
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price paid: |
580? |
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positive: |
Light (for the focal range) |
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negative: |
Slow |
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comment: |
I got this lens hoping to do some nature photography. At 400mm, it is good for birding, but only when there is good sunlight. Image stabilization can only help so much at 400mm, so you'll find yourself pushing up the ISO to get a sharp picture when using the long end handheld. I'm quite pleased with this lens; it's great compromise between speed, long telephoto, and size/weight. |
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sharpness: 5 color: 5 build: 4 distortion: 4 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Tokina 400mm SD |
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price paid: |
400 USD used |
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positive: |
Build quality |
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negative: |
Zoom creep |
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comment: |
Only just got this lens the day before Christmas but took it out to photograph my kids on their new bikes. Was impressed with the speed of autofocus and on processing the raws later on the colours that the lens gives - very vibrant and real. The focus is a little soft at 400mm but overall this lens is so sharp. Coming from the xi lens with its motorised zoom I was a little disappointed with the zoom creep if the lens goes out of the horizontal but this is something I will get used to. I see this lens being used regularly alongside my main walkaround 28-80mm xi zoom. |
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sharpness: 4 color: 5 build: 4 distortion: 4 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Cosina AF100-400 |
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positive: |
Very sharp |
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negative: |
Heavy front glass (be careful) |
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comment: |
The lens is significantly sharper and (surprisingly) fast in real life. |
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sharpness: 4.5 color: 5 build: 5 distortion: 5 flare control: 5 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
K/M 75-300 Big Beercan |
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price paid: |
500 USD |
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positive: |
Sharp throughout |
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negative: |
None |
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comment: |
I bought this from a fellow Dyxum member. I Got a great deal on a great lens. It has a great range and is unusually sharp for a zoom of this size and compactness. Great bokeh and has no apparent CA. I am very pleased with this lens and am still exploring it's capabilities. It reminds me of a 400mm zoom beercan, except proportionally lighter. |
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sharpness: 5 color: 5 build: 5 distortion: 5 flare control: 5 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Sony 70-300mm g |
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price paid: |
450 USD used |
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positive: |
Nice Focal Range, Compact size. solid feel. Sharp wide open at 400mm. f6.7 is really f6.3. |
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negative: |
Auto focus is a bit on the slow side. |
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comment: |
I like the extra 100mm range this lens has over the Sony 70-300. Color and sharpness is great. Outdoors in good light is where this lens will perform best. |
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sharpness: 4.5 color: 5 build: 4 distortion: 5 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
75-300mm Minolta Big Beercan |
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positive: |
1) Colors and bokeh |
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negative: |
1) Focus speed (could be my copy) |
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comment: |
This lens is pretty rare to come by. It isn't nearly as available as the 100-300mm APO and is usually a sight more expensive. I took it out to some parks here in Seattle and caught some really nice portraits of people. The bokeh is AMAZING. Also, insultingly sharp (to model) at f/8 and above. VERY sharp wide-open throughout the range. Perhaps SOME softening at 380mm, but not much. |
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sharpness: 4 color: 4 build: 4 distortion: 4 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Minolta 400 G |
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price paid: |
548 USD used |
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positive: |
Range |
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negative: |
Zoom creep |
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comment: |
Since I originally posted this review, the 70-400CZ has been released. I know that's the one I want but for now the 100-400 APO will have to do. I don't get to shoot at extreme distance often enough to justify the expense of a major upgrade. On an a900, toggling from FF to APS-C gives 600mm images as well. Zoom creep is not that big of a deal because I only reach for this lens when extreme range is required and this is not a practical walking around lens. Unless you are a professional and have the requirement or you're a wealthy collector, the 400G makes no sense due to size, weight and price although I'd love to play with one. |
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sharpness: 5 color: 5 build: 5 distortion: 4 flare control: 5 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Minolta 200mm/4 APO G macro |
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price paid: |
400 USD(used) |
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positive: |
Sharp on 400mm |
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negative: |
none |
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comment: |
Well it is not fair to compair with my 200/4 on color but with below 200mm this lens holdup very well with 200/4 and for the price this is a excellent lens.The image shown very sharp even on 400mm and I don't know why it said 4.5-6.7 but I found it is 4.5/6.3 no biggy just wonder. Overall it is a excellent lens. You can't go wrong with it. |
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sharpness: 4.5 color: 4 build: 4 distortion: 5 flare control: 5 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
- Beercan |
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price paid: |
600 USD (new?) |
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positive: |
- Surprise sharp full open |
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negative: |
- Don't need it perse, but tripod mount could be helpful |
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comment: |
I Like this lens very much. Bought it in Japan as second hand, but I guess it is new. No scratches or anything. Included with lens caps, Hood and storage box. |
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sharpness: 4.5 color: 5 build: 5 distortion: 5 flare control: 5 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Minolta 70-210 (beercan) |
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positive: |
Sharp even at 400mm |
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negative: |
Slow AF |
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comment: |
First thing I noticed when I received this lens is that it is much smaller and lighter than I expected from such lens. |
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sharpness: 4.5 color: 5 build: 4 distortion: 5 flare control: 5 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Minolta 100-300mm APO |
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price paid: |
720USD |
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positive: |
Great zoom range, image quality across the full range. |
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negative: |
Missing a tripod mount and a zoom lock. |
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comment: |
Great lens for an impressive range of telephoto shots, at a reasonable price. On digital SLR the cropped 35mm equivalent is an even more impressive 150mm to 600mm! Good sharpness and image quality across its range. Feels well balanced in use. Could have been better with a collar tripod mount as a camera with this lens on it attached to a tripod or monopod is a bit front heavy. A zoom lock would also have been useful as the zoom creeps out under its own weight when slung on the shoulder. But the main things, the range and image quality are great. Nice bokeh. |
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sharpness: 5 color: 5 build: 4 distortion: 5 flare control: 5 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Minolta 70-210 f4 beercan |
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positive: |
sharp, even at 400mm and wide open |
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negative: |
a tripod mount would have been nice, but I've mostly used it hand-held |
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comment: |
Well, I've waited long enough to add my results with this lens. In the past I've had the 100-200 f4.5, the 70-210 beercan, two 100-300 APO Ds, and now the 100-400 APO and it's the best of all. A general synopsis with all these lenses would be something like this - I had the 100-200 f4.5 first and it was an excellent lens, giving me better results than I ever got with the beercan. I'm not sure what all the fuss is about with the beercan which seems to me to be rather average and large and heavy to boot. The 100-200 was a better deal all around, but I did want some more range. I likewise was not satisfied with my first 100-300 APO D and ended up getting rid of it, but after I kept hearing all the great results that others were getting, I picked up another and it performed quite satisfactorily, a keeper. I keep the 100-300 APO D for hiking distances when weight is an issue and use the 100-400 APO at all other times whenever I can. |
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sharpness: 4 color: 5 build: 3 distortion: 5 flare control: 5 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
AF 100-300 F4.5-5.6 APO |
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price paid: |
L300 (used) |
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positive: |
nice range |
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negative: |
for better sharpness necessary to stop down |
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comment: |
best results when stopped down, optimal at F11.0, for 400mm even F16.0 |
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sharpness: 4.5 color: 5 build: 5 distortion: 5 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Minolta 100-300mm f4.5-5.6 |
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price paid: |
L300 |
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positive: |
Good sharpeness throughout the range, falling off slightly towards the long end. |
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negative: |
A tad on the heavy side, but OK considering the range. |
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comment: |
I bought this APO zoom as a measure to prevent me wasting any more cash on "cheap" minolta zooms. I was a after a clear upgrade to my 100-300mm f4.5-5.6, but rather than buying another 300mm zoom with better optics, I chose to go for longer range as well. It took me a while to find this lens, but it was well worth the wait. |
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sharpness: 5 color: 5 build: 5 distortion: 5 flare control: 5 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
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price paid: |
900 USD |
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positive: |
sharp |
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negative: |
none |
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comment: |
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sharpness: 5 color: 5 build: 4 distortion: 5 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
28-300 Promaster (made by Tamron) |
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price paid: |
472 USD used |
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positive: |
Great range |
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negative: |
No tripod mount. |
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comment: |
I have taken many photos with this lense and so far I am very pleased with the results. As I stated in the positive column above this lens is very sharp and focus is very precise, at least on my copy. I have used both a Tamron MC4 1.4 TC and a Kenko MC7 2.0 TC with acceptable results. The 1.4 gave very nice results with the MC7 falling off slightly. Both TC's require the lens be focused manually. Without the Tc's and cropping 100% results in superior photos that I find sharper than when using the Tc's and I think I will do most of my shooting in that manor from now on. I think some of the softness is do to my not so good eyes and slight misfocusing on my part when manual focusing. |
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sharpness: 4 color: 4 build: 3 distortion: 5 flare control: 5 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
70-210/4 |
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price paid: |
USD 650 |
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positive: |
-range |
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negative: |
-zoom creek |
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comment: |
I like this lens, in fact it is one of my favorites to use. It does a superb job at 100-300mm but can be a little soft at 400mm unless you stop down a bit (preferably f8 over the whole range to squeeze out the good sharpness it has), but then it needs lots of light to give nice results (or high ISO). The bokeh is pretty smooth if chosen wisely but my beercan had much smoother bokeh which kind of disappointed me seeing as this one costs a lot more. |
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sharpness: 4 color: 5 build: 3 distortion: 5 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
|
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positive: |
Focal range, light |
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negative: |
Build, slow AF, f/4.5-6.7 |
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comment: |
Sharp, good colors and a huge zoom-range. |
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sharpness: 5 color: 5 build: 5 distortion: 5 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Tamron 200-400, Tokina 80-400 |
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positive: |
Sharp IQ, great colors, and nice bokeh. It is also a great walk around longer zoom lens due to its relatively light weight and compact size. |
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negative: |
Slow - f6.3(yes, can go as LOW as 6.3 instead of 6.7) at 400mm with either 7D or Sony A100 |
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comment: |
When viewing my photos I often had no trouble in distinguishing which photos were from which telephoto lenses except those taken with Minolta 100-400mm APO; they were just sharper. It is an excellent lens in terms of IQ, bokeh, and colors. Using it handheld in the field is pretty easy. 100mm is good enough for shorter distant shots. Unlike other telephoto zoom lens it provides sharp IQ at all ranges. Sold my first copy in order to get a longer lens but regretted it right after. I eventually bought another copy again. |
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sharpness: 4.5 color: 4 build: 4 distortion: 4 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Minolta AF 100-300 |
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price paid: |
240 USD (second hand) |
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positive: |
Nice range, not that heavy. Good construction. Colors are very good. Excellent on Dynax 5D |
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negative: |
AF-speed is rather slow at 400mm (normal for that range...) |
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comment: |
Gives very good results on 6Mp CCD sensors ! |
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sharpness: 5 color: 5 build: 5 distortion: 5 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
|
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positive: |
Brilliant wildlife lens when travelling for the bulk/weight concious photographer. |
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negative: |
Quite slow meaning that you need a very bright day to see the best from this lens. Front of lens rotates when focusing. |
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comment: |
I plan to do a lot of travelling over the next 18 months, and was originally looking at the Bigma and other zoom lenses in the 500mm range to fill the gap of a wildlife lens. Then I saw this lens and some of the stunning results aarif has been getting, and the choice became clear. At half the cost, and around half the weight for the sacrifice of 100mm (150mm with crop factor) this lens has now become my travelling telephoto lens. |
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sharpness: 4 color: 5 build: 3 distortion: 5 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
|
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positive: |
It’s the lightest lens that gives a range of 100-400mm, image quality is sharp throughout |
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negative: |
Slow AF and needs a bright day for good results |
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comment: |
I will never replace it unless they come up with a brighter lens which is not heavier. |
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