Sigma 75-200 F2.8-3.5 reviews
sharpness: 4 color: 4 build: 5 distortion: 4 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Minolta 70-210 f4 |
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price paid: |
80 |
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positive: |
Price |
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negative: |
Pushpull zoom |
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comment: |
I got a mint copy from keh for 80 shipped. Keh doesn't list serial numbers, I was just taking a swing at it. Well, it came as a 1XX serial number. oh no!!! |
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sharpness: 4.5 color: 4 build: 5 distortion: 5 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
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price paid: |
120 USD |
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positive: |
F/2.8 at 75-135mm |
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negative: |
None at this price |
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comment: |
I bought this lens on Ebay, copy number 10062xx taking a chance that it just might AF with my a65. To my delight, I put it on that body and it focused straight to infinity. From what I have put together from others, all copies of this lens seem to be fully functioning on a65 and a77 bodies, not just copies 1016xxxx and later. If you get this lens to AF with your body, you have a lens of easily $500-700+ value. Not the quality of a G lens, a little better than an APO version of Sigma's f/2.8 70-210mm. Image quality is good at f/2.8 but improves at f/4 (like about every lens). I would suggest buying a copy if you have an a65 or a77. I use it most to photograph high school sports. |
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sharpness: 4.5 color: 4 build: 5 distortion: 4 flare control: 3 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
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price paid: |
57 (used) |
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positive: |
Fast lens 2.8~3.5 |
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negative: |
Lens creep |
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comment: |
Got this off eBay recently and to my surprise it works very well with my Sony alpha 65. Serial number 10160xx |
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sharpness: 4.5 color: 4 build: 4 distortion: 4 flare control: 3 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Tamron - SP 70-300mm f/4-5.6 Di USD |
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price paid: |
50 EUR (used) |
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positive: |
- cheap |
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negative: |
- some Purple fringing |
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comment: |
When I bought this lens 5 months ago I was fully aware of the chance that it might not work properly with my a100, although it was one of the later ones. Unfortunately I was right, as the AF wouldn't work, so I ended up with a 75-200/2.8-3.5 MF lens. Still, in my opinion it was 50 eur well spent, as both the sharpness and the colours are quite good (that is if you nail the focus right where you want it, of course). This forced me to think and helped me improve my focusing skills. The fast aperture makes this lens quite suitable for portraits - I often zoom to 200mm, focus and then push it back (push-pull zoom) to 135mm. I was quite surprised, however, when I tried it on an A77 and the AF worked like a charm, despite all odds. (when I say 'like a charm', I have to note that when it comes to focus it feels as if someone's wrestling inside- it vibrates quite a lot, but on the A77 the AF was very, very fast). Naturally, the lens has its flaws - fringing, for example. Also, you need a lens hood if you are to use it in bright sunlight. Overall, however, I think this is a small price to pay given the fact that it's very cheap and the performance you get for such money is astounding. |
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sharpness: 4.5 color: 5 build: 5 distortion: 4 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
sigma 18-125mm |
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price paid: |
£75.00 |
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positive: |
sharpness |
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negative: |
slow AF |
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comment: |
as mentioned over here, early serials is not going to work on Sony bodies, however, I re-chipped it by using another chip from old lens. |
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sharpness: 4.5 color: 5 build: 3 distortion: 3 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
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price paid: |
150 USD |
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positive: |
Great colors and sharpness. |
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negative: |
AF slow |
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comment: |
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sharpness: 4 color: 4 build: 4 distortion: 3 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Minolta 300mm f4 prime |
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price paid: |
125 USD |
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positive: |
2.8-3.5 in a 200mm |
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negative: |
problem with working on A200 and A580. |
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comment: |
Seems to make really good pictures on my film camera, but cannot get it to work on my DSLR's...serial #2022XXX..was told it would work on either my A200 or my A580 but it will not...I'm hoping the teleconverter I ordered will allow it to work on my DSLR's. |
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sharpness: 4 color: 4 build: 4 distortion: 4 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Minolta 28-135 |
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price paid: |
75 € |
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positive: |
weight |
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negative: |
AF hunts sometimes |
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comment: |
this copy (2000478) works (almost) flawlessly on my A850 |
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sharpness: 4.5 color: 4 build: 5 distortion: 4 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Big beer can |
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price paid: |
$30 |
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positive: |
- Very solidly built |
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negative: |
- Heavy, but that's what u get for solidity & fast aperture |
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comment: |
For info, I've just risked $30 on buying #1002218. Very nice order, no marks. Was told I was wasting my cash as it was too early to work on digital, but now arrived & works fine on my A550. Fast AF, all functions work as expected. Lucky boy. |
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sharpness: 4 color: 4 build: 5 distortion: 5 flare control: 3 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
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price paid: |
75 USD |
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positive: |
Sharp at 70-135mm |
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negative: |
Giant front focusing element |
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comment: |
The high probability of finding a non-AF copy of this lens has driven its price way below what it should be worth. Consider its specs on paper: this is a lens in the same weight / size class as the Beercan, is 1 - 1/4th of a stop faster at all focal lengths, and costs on average 1/3 as much. In my opinion, the existence of this lens and the Minolta 70-210mm f3.5-4.5 completely negates the value of the Beercan. While the Minolta 70-210mm f3.5-4.5 is both light and sharp, this Sigma is heavier but provides good low light coverage. |
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sharpness: 4.5 color: 5 build: 3 distortion: 4 flare control: 3 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
SAL 55-200mm F4-5.6 |
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price paid: |
80 USD |
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positive: |
- Fast |
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negative: |
- Heavy |
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comment: |
Mine is labeled "Access Tempo," and it was NOT compatible with modern bodies. Therefore, I purchased a chip from James Lao. My 'price paid' includes the chip. |
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sharpness: 4.5 color: 4 build: 4 distortion: 5 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Minolta 70-210 F4 |
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positive: |
Solid build, cheapest fast telezoom available, quite good sharpness, bokeh |
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negative: |
Colors are not that great, rotary filter ring, push-pull zoom goes loose in time |
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comment: |
I compare it to beercan because it seems to be its closest competitor. Apart of some "halo" effect wide open, this is quite sharp lens, arm to arm with beercan and - last but not least - 1 stop faster from 70 to 140 mm. Colors are not that nice as with Minolta lens but still very good, CA control somewhat better. Takes 67mm filters, dedicated hood must be screwed in filter ring. If I had to choose to keep this one or beercan only, I would be confused which is better! |
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sharpness: 1 color: 1 build: 4 distortion: 1 flare control: 1 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Sony DT 4-5.6/55-200 |
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price paid: |
79 USD (ebay) |
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positive: |
All in metal - built to last. |
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negative: |
Is not compatible with a350. |
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comment: |
I was looking for a brighter lens than my kit Sony DT 4-5.6/55-200, but I did not want to pay the price for a 2.8 70-200... |
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sharpness: 4 color: 3 build: 3 distortion: 4 flare control: 3 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Sony SAL 75-300mm |
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price paid: |
0 |
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positive: |
Bright lens. |
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negative: |
Build (see comments). |
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comment: |
We have had this lens for about 15 years. We have used it on a number of Minola Maxxum bodies and just recently the Sony Alpha a100. |
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sharpness: 4 color: 3 build: 4 distortion: 4 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Minolta 70-210mm f/4 |
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price paid: |
105€ |
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positive: |
Sharpness |
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negative: |
Push-pull |
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comment: |
I owned this lens before I bought a beercan. I realy like this lens because of the Bokeh. It may not be the sharpest but the images are a bit creamy, it's very nice. |
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sharpness: 4.5 color: 4 build: 5 distortion: 5 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
K/M 75-300 Big Beercan |
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price paid: |
140 USD |
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positive: |
sharpness |
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negative: |
a little heavy |
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comment: |
This lens is a steal. It is sharp throughout the range, it focuses very quickly and is well balanced on the A100. It's front element is gorgeous and it has nice bokeh and great range. The push pull zoom is different but useful and it stays at F2.8 until 135mm. I think this is a great lens and is sturdy as well as compact. The image quality is stellar for the money. A little prone to flare, but a good hood eliminates the problem. |
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sharpness: 4.5 color: 4 build: 5 distortion: 4 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
beercan, Tokina 35-200mm SD, newer Sigma 70-210mm APO |
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price paid: |
$250 (in 1992) |
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positive: |
fast, sharp, color |
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negative: |
heavy, push pull zoom & creep |
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comment: |
It's been a workhorse, and cheap these days. It's a better balance on the bigger Alpha than on my old 7000i. Color is warm, saturated, very similar to older Minolta lenses but with a little greener balance. It's faster than the Beercan, a full stop at 75mm. Focus speed, flare and CA are similar to the Beercan. They're about the same length, the Sigma is fatter and heavier. I sold the newer Sigma APO, speed and color beat lighter weight and low CA, kept the Beercan. They're buds and the Sigma comes out in lower light. |
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sharpness: 4.5 color: 4 build: 5 distortion: 5 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
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positive: |
Very sharp, excellent glass, quality build. |
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negative: |
Could use a bracket as the slide zoom may move when remote shooting |
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comment: |
I have had this lens for many years, use it extensively with my Maxxum 9000 film camera. It is one of my favorite and most-used lenses. Digicam users may not like the weight of the lens, but on a 7D, it has a well-connected and balance feel, much like the feel of heavier film cams. |
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sharpness: 5 color: 5 build: 4 distortion: 3 flare control: 3 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Minolta 100-300 xi 4.5-5.6 |
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price paid: |
102 US (used) |
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positive: |
Sharp, well-built |
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negative: |
heavy |
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comment: |
Works fine with the A700 I recently purchased (serial #1000xxx). I was concerned that I would have problems with it because of the low serial #; don't think that will be the case. It also will AF with a 2X TC. I will give this lens a workout this weekend (shooting basketball games indoors). AF is quick with this lens, even with the push-pull zoom. I'll see what happens during the bball shoot. I'm giving the build a 4 because of a little wobble at the back of the lens due to the overall weight; it could benefit from a mount of some kind. Overall, I think it's a best buy. |
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sharpness: 5 color: 5 build: 5 distortion: 4 flare control: 3 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Tamron AF 70-300 F4-5.6 |
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price paid: |
50 USD(used) |
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positive: |
Sharp. |
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negative: |
None |
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comment: |
For his price and his age it's a very good lens. Is fast and the focus it's ok (sometime it will hunt but if you "learn" how to use, it will perform very well). Highly recommend. My serial nember is something like 200xxxx. |
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sharpness: 4.5 color: 4 build: 5 distortion: 4 flare control: 3 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
70-210 f4 beercan |
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price paid: |
free |
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positive: |
sharp |
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negative: |
a bit heavy (no biggy for me) |
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comment: |
I got this for free in a tamron lens buy. serial number oddly enouph is 1016xxx, its not supposed to work on the a100 but boy does it. I thought it would be a bust, but i was pleasantly surprised to find that it is in fact a very very good piece of glass. The build is all metal and very sturdy, i love it. Not very fond of the push pull zoom, but i can deal with it. |
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sharpness: 4.5 color: 5 build: 5 distortion: 4 flare control: 3 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Kit Objectives |
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price paid: |
160,00 Euro (used) |
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positive: |
- sharp |
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negative: |
- filter rotates |
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comment: |
After reading that the lens with serial number lower than 2x will not work on digital camera I already startet looking for an alternativ - because mine has SN 1000068. |
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sharpness: 5 color: 4 build: 5 distortion: 5 flare control: 3 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Konica Minolta 28-75/2.8 D |
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positive: |
-Very sharp even wide open |
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negative: |
-Rotating front lens |
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comment: |
I really like this lens. Works whith my 7D and my Alpha 100. Fast enough focusing even in low light (faster then the Beercan). Sharpness is really exellent! |
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sharpness: 4 color: 4 build: 4 distortion: 4 flare control: 3 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
75-300 4.5-5.6 |
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price paid: |
50 USD |
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positive: |
Pretty fast for the price. Solid build. |
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negative: |
Filter rotates when focussing, push-pull zoom. AF unusable really, too slow and a bit hit and miss. |
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comment: |
Bought instead of a beercan as I kept forgetting to check the auctions before closing. Treat it as an f/4 lens and it's pretty sharp. Colours aren't really accurate but are nevertheless pleasing, a sort of nostalgic watercolour effect which works well for bokeh, especially for greens, but any flare shatters the bokeh. The weight of the lens really dampens the shutter on the 5D, helps stability in that regard. The push-pull zoom isn't the smoothest control interface. AF is pretty much out of the question on the 5D, the momentum of the lens seems to make it overshoot and then hunt for focus. On a film 7000 though AF is very positive. The mount is a very tight fit on the 5D but perfect on the 7000. My serial number is 2003xxx. |
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sharpness: 4.5 color: 5 build: 5 distortion: 4 flare control: 3 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
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positive: |
- sharp |
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negative: |
- heavy |
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comment: |
I bought this lens for a small price online. At first I needed to get use to the weight of the lens since it is heavy because it is completely made from metal (alltrough the zoom-rin/holder is some sort of rubber). But when used to the weight and able to hold it steady the shots are realy sharp and have great colors. |
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sharpness: 4 color: 4 build: 5 distortion: 4 flare control: 3 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
canon 70-200 f/2.8 IS |
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price paid: |
25 |
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positive: |
It's bright and cheap! Very usable wide open and quite sharp at f/4. Made of metal. |
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negative: |
Bokeh isn't very good, so-so with flare. Filter rotates when focusing. |
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comment: |
I picked up two of these lenses really cheaply, without knowing for sure if they would work. One does, and its serial number starts with a 2. It appears that the serial#s 2 and up work, while those below need a TC or don't work at all. There are at least three chip versions in these lenses; the original only worked with the 7000 I believe, the rechipped ones work with i series cameras (i.e. 400si), and the most recent ones work with DSLRs. The only other fast zoom in this range that I've used is a canon 70-200 2.8 IS on a 20d, and the only real advantage the canon had was faster AF (though this lens focuses pretty quickly too) and better bokeh - the bokeh on this just isn't too great (though it's not *bad* per say, it just could be better) - certainly not worth the $1600 price difference! It's durably made; I took mine apart and put it back together and there's a lot of metal in this lens. If you can find one with a serial# 2 and up, I highly recommend it! |
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