Sony AF 75-300 F4.5-5.6 reviews
sharpness: 4.5 color: 4 build: 4 distortion: 5 flare control: 5 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
SAL-70300G, Tamron 70-200 F2.8 |
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price paid: |
kit package |
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positive: |
(For the price): -Good bokeh & close focus -Reasonable IQ at lower focal lengths. |
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negative: |
Slow, mediocre contrast and CA at longer FLs. Autofocus slow and hunts, especially in lower light. |
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comment: |
Got it as a package deal with my A100 years ago. Liked it enough that I kept it when I upgraded to FF. Have been surprised how often it is on my camera, and some of my favorite shots were taken over the years with this lens. |
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sharpness: 4.5 color: 5 build: 4 distortion: 4 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Minolta AF 70-210 f/4 |
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price paid: |
kit lens on APS-C |
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positive: |
pretty sharp stopped down |
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negative: |
soft et huge CA wide open |
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comment: |
For its price, this lens is very good performer. Of course, the plastic construction does not inspire much confidence, but mechanically and optically, this lens is a good value for an amateur, who does not want to spend a fortune to have just a little better. |
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sharpness: 3 color: 3 build: 3 distortion: 2 flare control: 2 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
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price paid: |
200 USD |
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positive: |
Price |
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negative: |
Soft above 250 |
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comment: |
Bought it years ago for the a100, before I knew about the Mind of Minolta and the good glass they made. The lens is now parked along with the 18-70 kit lens. |
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sharpness: 3.5 color: 4 build: 3 distortion: 4 flare control: 5 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
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price paid: |
Kit lens |
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positive: |
- Zoom range |
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negative: |
- Sharpness |
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comment: |
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sharpness: 3.5 color: 4 build: 4 distortion: 3 flare control: 5 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Sigma 50-500mm (non OS version) |
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price paid: |
Ģ200 I think |
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positive: |
Light-weight |
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negative: |
Rubber grip is a dust magnet although easy to clean. |
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comment: |
This was one of the two first lenses I ever bought for my a350. It has served me quite well although some situations have produced less than sharp pictures. This isn't always the fault of the camera/lens however. |
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sharpness: 2.5 color: 3 build: 2 distortion: 3 flare control: 3 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Minolta 70-210, 75-300, Sigma 70-300mm |
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positive: |
Light, good for female photographers. |
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negative: |
Very plastic... |
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comment: |
Borrowed this lens from a old friend's daughter to shoot some images during a family outing. Very disappointed with the sharpness even that this is a Kit long Lens. Feel very plastic... |
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sharpness: 3.5 color: 4 build: 3 distortion: 4 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Sigma 50-500 |
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price paid: |
Part of kit |
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positive: |
+ small and light |
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negative: |
- CA is plentiful |
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comment: |
So, I came across this lens by chance, got it in a kit with a used A500 and the regular 18-55 kit lens. |
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sharpness: 3.5 color: 4 build: 3 distortion: 4 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Tamron 70 300 Di |
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positive: |
Light |
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negative: |
Soft over 200mm |
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comment: |
I sold my copy and kept the Tamron 70 300 Di. The Sony focuses faster than my Tamron But the Tamron starts at f4 and focuses closer. Both soft at 300mm. |
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sharpness: 4 color: 4 build: 3 distortion: 4 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
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positive: |
Sharp |
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negative: |
Heavy |
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comment: |
I have been real happy with this lens. It is sharper and has more detail than it's price-point would suggest. Microcontrast |
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sharpness: 4.5 color: 4 build: 4 distortion: 4 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Minolta 75-300, Minolta 70-210 RS |
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price paid: |
$195 au |
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positive: |
Light, cheap, fast focusing, sharp, has Sony ADI |
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negative: |
It has really bad bokeh, very unattractive and overpowering, a little soft at 300, but below 270 it is fine. |
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comment: |
A good lens if you are shooting in a way that will not produce bokeh, the bokeh is so bad that it ruins shots. |
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sharpness: 4.5 color: 3 build: 4 distortion: 5 flare control: 5 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
-Minolta AF 75-300 Bigbeercan |
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price paid: |
kit |
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positive: |
-sharpness |
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negative: |
-CA!!! |
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comment: |
I have a mixed evaluation on this lens. First of all this is quite a sharp lens in my opinion. At 300mm and wide open this lens is much sharper than my 100-300 Xi and Tam SP 300mm and on par with or slightly sharper than my bigbeercan. On the other hand it suffers from quite severe CA especially when I take a bird or small object with the sky in the background. This CA seems to be the kind that is NOT correctable with software, so it must be the 'longitudinal' CA. bbc does not show CA almost at all in any situation. So am I going to sell this and keep the bbc? Probably not. This one weighs only 440g without caps or hood while bbc does 860g!!! In fact since I bought it I've been carrying this one almost all the time rather than bbc. CA does improve if not goes away when stopped down. Maybe I can live with this lens and in some occasions I will take my bbc with me until I get an ultimate telephoto lens. If only the CA problem is resolved this would be a killer lens and I would not look further in this class of lens. |
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sharpness: 3.5 color: 5 build: 3 distortion: 4 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
- Tamron 70-200 f/2.8 |
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price paid: |
Kit |
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positive: |
- Long zoom |
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negative: |
- Quickly jumps to f/5.6 |
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comment: |
This lens is a good performer, as an entry level telephoto lens. It's fairly well made, and takes reasonably sharp pictures. |
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sharpness: 4 color: 4 build: 4 distortion: 3 flare control: 3 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Tamron 70-300Macro |
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price paid: |
kit |
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positive: |
Cheap! |
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negative: |
Hood is rubbish |
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comment: |
I got this lens with my a200 and there's no way I would part with it! I know alot of folk on Dyxum like to rubbish this lens - for 80% of tele shots you're ever going to take this lens will do a good job. It's sharper at 200mm than either of Sony's 'budget' mid zoom options (the 50-200 range)! Yes the auto focus can be a shocker and the CA is pronounced in some situations. None of this detracts from what at the end of the day is a very decent lens. I also have the Tamron 70-300 Macro and I do use that lens more often (the psuedo macro function is awesome!) but I think there'll be a place in my kit bag for this lens for a long time to come yet ... |
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sharpness: 3.5 color: 4 build: 3 distortion: 4 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
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price paid: |
With kit |
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positive: |
Good starting lens to start and shoot with |
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negative: |
Slow AF, especially if you're shooting in low light |
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comment: |
I initially start with this lens when I got the a200. It's a good lens to start off with. However, once you get over the basics, you'll probably want to ditch this lens and go higher. The lens doesn't allow a lot of growth after that, even more so with fast pace shots such as motorsports and the like. |
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sharpness: 3.5 color: 4 build: 4 distortion: 4 flare control: 5 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
SAL1870DT |
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price paid: |
~200 USD (Kit) |
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positive: |
Good price |
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negative: |
Slow for indoors use |
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comment: |
I think that for the money this is a nice lens, it has very harsh bokeh though. |
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sharpness: 4 color: 3 build: 4 distortion: 4 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
sony 18-70 |
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price paid: |
Was in the kit |
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positive: |
Nice range |
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negative: |
hate the hunting |
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comment: |
I used it at the MotoGP, and i got some really good results, nice for sports. Above 200mm it's wise to use a tripod. It's a nice lens for me. I don't use it much, but I wouldn't want to miss it either. |
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sharpness: 4.5 color: 4 build: 4 distortion: 4 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
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price paid: |
Kit lens |
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positive: |
Lightweight, good extension to the 18-70 kit lens, good range, ok sharpness |
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negative: |
Slow AF, noisy |
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comment: |
Pretty decent results considering it came with the camera and for that price. |
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sharpness: 3.5 color: 3 build: 3 distortion: 3 flare control: 3 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Carl Zeiss - 24-70mm F2.8 ZA SSM |
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price paid: |
Kitlens |
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positive: |
cheap |
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negative: |
mf ring |
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comment: |
i like the range of this lens, once again its a kit lens so dont expect much, but its reasonably sharp. |
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sharpness: 3.5 color: 3 build: 4 distortion: 4 flare control: 3 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
kit 18-70, 55-200 |
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positive: |
good range |
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negative: |
not sharp |
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comment: |
55-200 have better sharpness and overalimage quality |
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sharpness: 2.5 color: 4 build: 2 distortion: 5 flare control: 3 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
- Minolta 70-200mm f/4 (Beercan) |
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price paid: |
part of kit |
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positive: |
- cheap |
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negative: |
- not sharp (esp. at 300mm) |
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comment: |
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sharpness: 4.5 color: 5 build: 5 distortion: 5 flare control: 5 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Minolta 70-210 |
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price paid: |
92.00 |
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positive: |
Focal Range |
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negative: |
Slow Auto Focus |
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comment: |
The lens is great. I managed to pick one up at Circuit City before it went out of business. The lens is slow to auto focus. It's easier, quieter and usually faster to manually focus this lens. There is a considerable amount of fringe in images taken at 300mm. At 75mm the lens performs quite well. At 300mm you will need a tripod for most shots. This is a great lens, just keep in mind you will probably have to spend some time in the digital darkroom adjusting many different levels. Shoot in RAW when using this lens. IT WILL HELP!!! |
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sharpness: 4 color: 4 build: 4 distortion: 5 flare control: 5 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Tokina 19-35 |
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price paid: |
220 USD |
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positive: |
Light |
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negative: |
Not Sharp from 250-300 |
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comment: |
Bought this lens with my a350. It is reasonably good from 75-250 if you stop it down to f/6.3 at the wide end & f/7.1 at the tele end but from 250-300 it is soft whatever aperature. I ams elling this as i have a big berrcan on the way. |
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sharpness: 3 color: 4 build: 3 distortion: 3 flare control: 3 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
18-70mm kit lens |
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price paid: |
L176 |
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positive: |
Cheap |
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negative: |
Appalling CA |
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comment: |
This was the first lens I bought for my A200 and must admit to being thoroughly disappointed with it. |
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sharpness: 4 color: 5 build: 4 distortion: 4 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
SAL 55-200mm |
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price paid: |
In kit (A200W) |
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positive: |
- Cheap |
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negative: |
- CA (fringing), very bad wide open at 300mm |
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comment: |
A good yet underrated value zoom. Don't discount this lens due to the Dyxum score, which I imagine suffers simply due to it being a 'kit' lens and for being a 450mm equivalent which can be difficult to work with. |
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sharpness: 4.5 color: 5 build: 4 distortion: 4 flare control: 5 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
- 18-70mm (kit lens) |
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price paid: |
140 SGD (used) |
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positive: |
- great range |
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negative: |
- slow AF and noise |
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comment: |
This lens becomes my main tele-zoom lens for a period. AF quite slow, and sometimes I need to help with manual focus. AF also produces noisy sound. But overall I quite satisfied with the results. For high ISO (400+), this lens helps to produce nice color. Need to adjust to f8 and below to produce better sharpness. But, overall this lens passes my mark judge by its price. |
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sharpness: 4 color: 4 build: 4 distortion: 4 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Sony Kit 18-70mm f3.5-5.6 |
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price paid: |
kit lens |
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positive: |
Good zoom for kit (now only 200mm, I believe). |
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negative: |
Colour not great |
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comment: |
I don't have much to compare with this (beercan or big beercan would be the replacement for this), but this has been a reasonably good lens for me. Colour and image quality is not as good as the Minolta lenses (although this is probably to be expected), but I have taken some good outdoor portraits with this. |
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sharpness: 3 color: 4 build: 4 distortion: 4 flare control: 3 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Minolta AF 35-70 F3.5-4.5 |
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price paid: |
$280 |
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positive: |
300mm, |
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negative: |
color fringing, low light, not too sharp |
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comment: |
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sharpness: 3.5 color: 4 build: 3 distortion: 3 flare control: 3 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Sony - AF 70-300 F4.5-5.6 G SSM |
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price paid: |
110 USD (used) |
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positive: |
+ Cheap |
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negative: |
- Low resolution |
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comment: |
Acquired from 2nd hand market. Tried for 3 months but cannot reach my image quality standard. Then I sold it. |
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sharpness: 5 color: 5 build: 4 distortion: 4 flare control: 5 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
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price paid: |
160 USD (2nd) |
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positive: |
Sharp in good light |
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negative: |
Some CA |
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comment: |
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sharpness: 3.5 color: 4 build: 4 distortion: 5 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
other telephoto |
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price paid: |
as kit lens |
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positive: |
nice zoom range |
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negative: |
soft even at f11 |
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comment: |
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sharpness: 4.5 color: 4 build: 4 distortion: 4 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Sony - AF DT 18-70 F3.5-5.6 |
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price paid: |
110.00 USD (new) |
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positive: |
like the range |
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negative: |
noisey and slow af |
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comment: |
This lense took some great pictures of a couple job sites I worked at from the air. I really like this lens inside or out. It still suprises me on the quality vs. how much the lens cost. |
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sharpness: 4 color: 4 build: 4 distortion: 3 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
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price paid: |
free w/ a300 and kit |
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positive: |
good range |
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negative: |
color fringing |
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comment: |
I got my first dSLR (a300) last week and this lens came with it (used). I like the range but have already grown frustrated with the fringing, especially when I crop photos. I recently took some shots of a red-tailed hawk and had to switch to MF because the AF couldn't decide whether to focus on the bird or branches, and so focused on neither. |
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sharpness: 3.5 color: 4 build: 3 distortion: 4 flare control: 3 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
sony 70200G f2.8 |
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price paid: |
399 SGD |
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positive: |
Good range |
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negative: |
weak lens hood |
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comment: |
not sharp all range wide open. |
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sharpness: 4.5 color: 4 build: 4 distortion: 4 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Sigma 28-300 DG |
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price paid: |
Kit |
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positive: |
Long Reach , Light , Quite Sharp in good light |
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negative: |
searches in dim light |
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comment: |
Hey who uses a 300mm zoom in dim light anyway except for Moon shooting...I feel lucky that my kit came w/this the newer kits only have the 200mm...I'm keeping it till I can afford one of those ridiculously expensive G's and CZ's |
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sharpness: 3.5 color: 3 build: 3 distortion: 3 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Sigma 100-300 |
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positive: |
+ great range |
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negative: |
+ slow on my A100 |
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comment: |
I used this lens for a little over a year on my A100. It was a decent lens...nothing stellar. The AF was slow, and in low light painfully so. When it was on my A700 it was fine. The image quality was pretty good, but nothing spectacular. |
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sharpness: 4 color: 4 build: 4 distortion: 4 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Sony 18-70 3.5-5.6 |
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price paid: |
3200CZK (used) |
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positive: |
- Fast AF |
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negative: |
- Some CA |
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comment: |
I purchased this lens when I realized that my 18-70 kit-lens was not big enough for my needs. After browsing the web and the local stores I found this in a Prague store with 1 year guarantee. |
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sharpness: 4 color: 3 build: 4 distortion: 5 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
SAL1870 |
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price paid: |
kitlens |
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positive: |
-zoom range |
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negative: |
-aberration |
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comment: |
I rated 3 for colours because the colours are good in general, but getting a bit to the tele-end, shooting in abberation-prone situations (like trying to catch a squirrel through the leaves against a clear sky) will get you loads of aberration. |
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sharpness: 3.5 color: 4 build: 3 distortion: 5 flare control: 5 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
sigma 18-50mm f/2.8 Macro |
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price paid: |
400 |
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positive: |
light and cheap tele lens |
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negative: |
not relly sharp on 300mm |
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comment: |
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sharpness: 4 color: 4 build: 5 distortion: 3 flare control: 5 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
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price paid: |
140 (used) |
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positive: |
Goes well with the kit |
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negative: |
Macro is just an excuse, no good |
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comment: |
I got this lens used, and got a good deal on it as it was Like new, which is why I ended up with these. I was originally planning on getting the Sigma 70-300 APO. |
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sharpness: 4 color: 4 build: 4 distortion: 3 flare control: 3 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
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price paid: |
199 euro |
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positive: |
cheap en good to start with |
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negative: |
Somethimes to slow in focus so that i mis where i need it for |
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comment: |
best of 2 lenses i have but still not the right one just looking on what best is for me |
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sharpness: 4 color: 3 build: 3 distortion: 3 flare control: 3 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Sigma 70-300 APO DG |
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price paid: |
250 |
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positive: |
Compact. |
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negative: |
Jumps to slowest aperature speed quickly. |
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comment: |
This lens is an average performer, as an entry level telephoto lens. It's fairly well made, and takes reasonably sharp pictures. It's biggest handicap is it's speed. It jumps to it's slowest aperature speed of F5.6 by about 120mm, compared to a Sigma 70-210 APO DG, which reaches F5.6 at 220mm, in the same price range. It's minimum focusing distance is called a macro, which it is not. It's really it's closest focusing distance magnification 1/4, compare to Sigma and Tamron's macro 1/2 magnication in the same zoom range. |
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sharpness: 4 color: 3 build: 3 distortion: 4 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
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positive: |
Cheap starter lens |
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negative: |
Chromatic Abberations |
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comment: |
Got it as the 2nd kitlens with the camera, have only used it a few times.. mostly since its got slow focus, and i feel its usually a bit too short for bird photos.. it also got chromatic abberations and the manuall focus ring feel terribly plastic and unprecise.. |
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sharpness: 4 color: 5 build: 3 distortion: 4 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
70-210 f1:4 beercan, various point and shoot cameras |
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price paid: |
came with A100 kit |
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positive: |
Lightweight, reasonably fast, takes good shots in good light |
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negative: |
Not particularly sharp at 300mm |
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comment: |
This lens provides a very good introduction to SLR telephoto photography for someone moving up from Point and Shoot. While it doesn't have the sharpness or low light performance of some of the high priced SLR lenses, it has enough quality to blow you away if you are used to a Point and Shoot superzoom camera. |
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sharpness: 3.5 color: 4 build: 4 distortion: 4 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Tamron 90/2.8 |
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price paid: |
kit |
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positive: |
lightweght |
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negative: |
hard to MF - too dark |
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comment: |
I got it with the kit lens and I had no chance or willing to use it often. I used it only 4-5 times, and got strange shots with uncontrollable CA, slow focus and bleached colours. So now it's being kept in a drawer for half a year by now, and I think that it will continue there. This lens is a keeper - for the upcoming years until I'd need and buy 70-200/2.8 or I'll have an urgent need in 300 mm (which I really doubt). Nevertheless, this lens gave me as a novice a valuable experience of long telephoto range. |
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sharpness: 4.5 color: 4 build: 4 distortion: 4 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
|
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price paid: |
250 |
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positive: |
Works well for surf/action. |
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negative: |
Sometimes misses focus. |
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comment: |
I like this lens as a good starter tele zoom. I look forward to using something bigger and better! |
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sharpness: 4 color: 4 build: 4 distortion: 4 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Minolta Maxxum 100-300 AF f4.5-5.6 |
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price paid: |
215 USD |
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positive: |
Light weight. |
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negative: |
Focus tends to hunt under some conditions. |
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comment: |
Needed another lens for the SONY A100 since my Maxxum zoom is usually being used with a film camera and that model is now discontinued. The Maxxum has power zoom so is much faster at zooming than the Sony. For digital use,the SONY is slightly sharper at 300 mm f 5.6. Both have macro capability. Weights are quite similar. The AF lens does even more 'hunting' possibly because of the motorized systems. Since my principal zoom is a 28-75 Minolta f 2.8, the AF lens leaves a gap between 75 and 100 mm (not a major problem). |
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sharpness: 3.5 color: 4 build: 3 distortion: 4 flare control: 5 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
sal 1875 |
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price paid: |
kit lans |
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positive: |
Price |
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negative: |
Can produce terrible CA at the end of tele when wide open some test pictures at www.fotolakocinky.estranky.cz/fotoalbum/lens-test |
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comment: |
This lens can produce some nice pictures best between 75-200 |
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sharpness: 4 color: 4 build: 4 distortion: 4 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Minolta 70-210/3.5-4.5 |
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price paid: |
280 USD (new) |
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positive: |
Quite a good lens, with good renderings in color, sharpness and average in bokeh. |
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negative: |
5.6 is a bit annoying to shoot handheld in average light and with ISO 100. |
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comment: |
Compared to Minolta 70-210/3.5-4.5 (the copy that I own), Sony has a great advantage in terms of picture quality. Color aberration is way less than Minolta's. |
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sharpness: 4 color: 4 build: 3 distortion: 4 flare control: 3 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
|
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positive: |
|
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negative: |
|
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comment: |
I just tried this lens in the shop.. the focusing ring was stiff towards the 300mm end, focusing speed was terrible.. The lens didnt feel and substantial in my hands. |
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sharpness: 4.5 color: 4 build: 4 distortion: 4 flare control: 3 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Beercan |
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price paid: |
kit |
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positive: |
Light |
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negative: |
(CA)Purple fringing in heavy light |
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comment: |
Got it with the kit. After using the Beercan and the Tamron I would say.... until I get a 2.8.....this is a keeper. Got some good shots at an indoor basketball game. So for me, keep this for indoor zoom needs, keep my Beercan and Big Beercan (Which I just bought!!)for outdoor zooms. After doing some tests in my house the Sony proved to be MUCH sharper indoors in low light than my Beercan |
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sharpness: 4 color: 5 build: 4 distortion: 4 flare control: 4 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
Not had anything in this range previously |
|
price paid: |
with camera |
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positive: |
Good sharpness and colour, better built than the 18-70 kit lens and has a metal mount. Good value for money. |
|
negative: |
CA shooting into the light wide open (i.e. very bight highlights at full zoom) |
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comment: |
I didn't know what to get, this or the Sigma 75-300 APO but the kit price worked out cheaper so I went with it. I am pleased I did so far. The zoom action is stiff enough not to creep and it focuses quickly. The results are very pleasing. |
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sharpness: 3 color: 3 build: 3 distortion: 3 flare control: 3 |
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tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
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compared to: |
|
|
price paid: |
kit lens |
|
positive: |
Cheap |
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negative: |
Slow AF, bit noisy |
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comment: |
I got this lens with Alpha as kit lens.I do not need this lens because of quality but for telezoom training is OK. Sometimes is problem with AF on tele range |
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sharpness: 4.5 color: 4 build: 4 distortion: 4 flare control: 4 |
||
tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
||
compared to: |
Minolta 70-210 F/4 |
|
price paid: |
155 |
|
positive: |
Great Color. |
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negative: |
so far, none |
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comment: |
I got this lens, to have something a bit longer than my 'beercan'.. I'm glad I did. |
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sharpness: 3.5 color: 3 build: 3 distortion: 4 flare control: 3 |
||
tested on film camera: tested on APS-C:6MP tested on full frame:24MP |
||
compared to: |
|
|
price paid: |
With Camera |
|
positive: |
Long zoom |
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negative: |
Soft |
|
comment: |
I bought this lense as kit lense. |
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