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More EFCS woes.

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Photosopher View Drop Down
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Post Options Post Options   Quote Photosopher Quote  Post ReplyReply Direct Link To This Post Posted: 07 May 2012 at 14:20
I'm having difficulty accepting that aperture is the cause of this. If it were, would not the image display a vignetting affect all around... circular... rather than just one side bright and one side dark?

Example above looks more like shutter blade lag, as if flash sync is off kilter.

Does Sony provide any explanation?

EDIT: Oh now I see Mohner's update. Makes sense.

Edited by Photosopher - 07 May 2012 at 14:25
 



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mikey2000 View Drop Down
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Post Options Post Options   Quote mikey2000 Quote  Post ReplyReply Direct Link To This Post Posted: 07 May 2012 at 14:30
Mhoner's post on the previous page along with the link to the non-telecentric lenses explanation seems very plausible to me.   I can take a look at this over the next week or two perhaps. (if the sun comes out ever again!)

The sample image i posted can be almost entirely cured by a 1.5 stop ND grad applied in lightroom with the centre exactly in the middle of the image. That sort of implies their is something geometrical going on here but the maths is beyond me.   

Also, I have never heard the word 'telecentric' before today but from mhoner's page, I think I get the general idea.   

Does someone have a list of telecentric lenses or even a way to tell if a particular design is telecentric or not?

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Post Options Post Options   Quote sybersitizen Quote  Post ReplyReply Direct Link To This Post Posted: 07 May 2012 at 15:56
Originally posted by sybersitizen sybersitizen wrote:

This phenomenon is not yet correctly explained on Michael's site, but it's better understood now, after months of user input. The issue is that the EFCS can 'move' slightly out of sync with the aperture mechanism in many lenses at high shutter speeds. Apparently, sometimes the lens diaphragm is not fully opened to the expected aperture during a portion of an EFCS exposure, so that corresponding area of the shot comes out underexposed.

Originally posted by mhohner mhohner wrote:

But the aperture closes to the intended value, so if the aperture is slow, you should get overexposure in parts of the image, not underexposure.

I agree. That's why I was careful not use the term slow, but out of sync instead. I don't know in what way the two functions (aperture operation and photosite capture) can slip slightly... but I can't imagine what else would cause incorrect exposure on a portion of the image depending on what lens is used, and at what aperture it's set.

Now, if this happens with every lens and at every aperture, we could theorize that the first photosites to be exposed have not yet fully 'awakened' from sleep or something, and thus they don't get their allotted time in the sun. ;) But it doesn't happen with every lens, does it?

Is it possible that with these cameras the diaphragm can sometimes close too far during some portion of the exposure? That sounds impossible too, but it would explain the strange results.

Again, what thing in specific problem lenses other than the aperture control could be interacting with the photosite activation sequence in a way that produces an uneven exposure?

EDIT: Oh, I just read your theory about angle of incidence. Well, maybe that is what's going on. You should attach that to the other comments on the EFCS so it can be seen there.

Edited by sybersitizen - 07 May 2012 at 16:02
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Post Options Post Options   Quote sybersitizen Quote  Post ReplyReply Direct Link To This Post Posted: 07 May 2012 at 16:09
Originally posted by Photosopher Photosopher wrote:

I'm having difficulty accepting that aperture is the cause of this. If it were, would not the image display a vignetting affect all around... circular... rather than just one side bright and one side dark?

No, it wouldn't. The effect would appear with the incorrect exposure showing up across the long dimension of the frame, extreme at the edge and tapering off. But still, the out-of-sync aperture theory has other problems.
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Post Options Post Options   Quote sybersitizen Quote  Post ReplyReply Direct Link To This Post Posted: 07 May 2012 at 16:27
Another point: Sony is not the first to offer EFCS. Some Canon cameras have had it for quite a while. Does anyone know if this effect is also seen with those? I assume they'd have the same vulnerabilities and people would have noticed.
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Post Options Post Options   Quote sybersitizen Quote  Post ReplyReply Direct Link To This Post Posted: 07 May 2012 at 18:04
Below we see one user's example photos from a recently posted thread in the DPReview forum.





1) Those were shot at 1/2000s (not really all that fast) and f/9 (closed down a lot).

2) The first shot of the sequence is unaffected. Why is that? Did the EFCS not engage for the first shot? If it didn't, is that normal behavior?

3) The underexposure in the next two shots is EXTREME, way more than the first example in the current thread (and, I would think, way more than can be explained by any theories proposed so far, especially at this shutter speed).

4) The shutter blades in recent SLT models move from bottom to top, right? If so...

5) The underexposure of those frames is at the top, meaning that it occurred at the bottom of the shutter gate, at the beginning of the exposure.

6) There is also visible overexposure at the bottom of those frames, meaning that it occurred at top of the shutter gate, at the end of the exposure.

7) Is this just a red herring example of a malfunctioning camera or is it some weird thing about the Tamron lens used?
 



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Post Options Post Options   Quote robertsmx Quote  Post ReplyReply Direct Link To This Post Posted: 07 May 2012 at 18:58
There is a good chance you're experiencing what I did with my A55 a few months ago. But in my case, I was seeing that with high shutter speeds (occasionally they were fine). It may be time to email Sony about it.

I did that last month and after couple of email exchanges (and I included couple of images explaining the problem), they called me and set up a work order. My camera is with Sony service at this time.
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Post Options Post Options   Quote sybersitizen Quote  Post ReplyReply Direct Link To This Post Posted: 07 May 2012 at 19:06
Originally posted by robertsmx robertsmx wrote:

There is a good chance you're experiencing what I did with my A55 a few months ago.

Who are you talking about... the OP or the person who made the shots directly above (not me - I only referred to them)?

And in any case, the A55 doesn't have an EFCS.
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Post Options Post Options   Quote sybersitizen Quote  Post ReplyReply Direct Link To This Post Posted: 07 May 2012 at 20:17
Originally posted by mikey2000 mikey2000 wrote:

I wondered why I had not noticed it before and it turns out the few A77 pics I have on my hard drive with 1/4000 to 1/8000s all have very dark bottom half just due to the content so any extra darkening caused by this EFCS effect would have gone unnoticed.

I'm looking again at the photos you posted a few months ago to illustrate the stripy background problem of the EFCS used with HSS flash. In retrospect, I would say the EFCS shots at 1/4000 and 1/8000 also show underexposure at both the top and bottom of the frame compared to the non-EFCS versions - very noticeable at 1/8000s.
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Post Options Post Options   Quote mikey2000 Quote  Post ReplyReply Direct Link To This Post Posted: 08 May 2012 at 10:32
I just tried a few more shots with my sigma 70-200, Sony 50/1.4 and Sony 16-50/2.8.   I set 1/5000 and f3.2 as in my earlier shot a took a few blank wall photos. I had to boost the ISO to 6400-12800 to get any sort of decent exposure due to the gloomy day here again.    In every single EFCS shot, I see a darker horizontal band at the bottom 1/3 of the screen and a rather fainter band across the top 1/3. It is more pronounced at 1/8000 but with the same layout. I tried f4 and the effect was still there but it was getting to dim at that f stop to conclude anything useful. F3.2 vs f2.8 made little difference but then again, it's only 1/3 of an f-stop. Perhaps a more controlled test could conclude a bit more.

I couldn't quite reproduce the more extreme band as seen in my original pic. And perhaps my original pic also had the lighter band too but it is to faint to notice in a real pic.

With efcs off, the bands go away entirely.

Revisiting my hss stripy pics, apart from the main effect of narrow stripes, you can also make out the 1/3 and 2/3 bands but they aren't as pronounced as my quick tests from this morning. At the time, I thought they might be just from light fall off from uneven flash light but I think there are two effects in those pics - HSS narrow banding and general 1/3-2/3 bands.

More than ever, I'd like a menu option to offer "EFCS off if shutter speed faster than 1/4000". If this effect is there every time I go over 1/4000, I'll be getting fed up switching efcsvon and off all summer!   I didn't notice it much because it's been winter and gloomy perhaps.
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Post Options Post Options   Quote groovyone Quote  Post ReplyReply Direct Link To This Post Posted: 08 May 2012 at 13:21
Interesting that it seems to be at shutter speeds faster than 1/4000s. I guess since my NEX is maxed at 1/4000 that may be why I haven't run across it with my 1.8 lenses, or even the Min 58/1.2.
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Post Options Post Options   Quote travelshots Quote  Post ReplyReply Direct Link To This Post Posted: 08 May 2012 at 18:23
Originally posted by bartman bartman wrote:

I don't want to be a devil's advocate, but is the shutter system a relevant disadvantage of the SLT design?


It has noting to do with SLT (and the function is only available in A77/65 but not in the previous SLTs). The electronic first shutter curtain is also used in Canon DLSRs. It is in fact a significant advantage, because in DSLRs with MLU and in SLTs vibrations caused by the shutter will not appear before the end of the exposure. This feature combined with the non existing mirror slap of a SLT is a great benefit, especially when you are shooting with long focal lengths.

As we see in this thread and also here under rare circumstances the electonic first shutter curtain can also have disadvantages. That's why you can disable this function in the menue.
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Post Options Post Options   Quote matthiaspaul Quote  Post ReplyReply Direct Link To This Post Posted: 08 May 2012 at 18:33
Originally posted by sybersitizen sybersitizen wrote:


On another forum, I read that someone experienced the same exposure inconsistency, but worked around it by shooting in Continuous Advance Priority (12fps) mode. This works because the lens is stopped down only once at the first shot, and remains at the same aperture for the entire burst. Without the usual aperture opening/closing cycle, the problem disappears.

In this thread the effect was observed in Continuous Advance Priority (12fps) mode, though:

http://forums.dpreview.com/forums/readflat.asp?forum=1037&thread=39494906

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Post Options Post Options   Quote robertsmx Quote  Post ReplyReply Direct Link To This Post Posted: 08 May 2012 at 18:46
Originally posted by sybersitizen sybersitizen wrote:

Originally posted by robertsmx robertsmx wrote:

There is a good chance you're experiencing what I did with my A55 a few months ago.

Who are you talking about... the OP or the person who made the shots directly above (not me - I only referred to them)?

And in any case, the A55 doesn't have an EFCS.

EFCS or not, my camera (A55) is with Sony for a fix to address a similar issue (albeit, in my case, as I said, it happens at shutter speeds faster than 1/800s). It may be due to a different component, but ultimately, that is the problem with image I've seen (initially, occasionally, and later, almost always).
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