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sybersitizen
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Joined: 04 August 2006
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Posted: 25 August 2011 at 16:50 |
eccles wrote:
The A700 has Raw and cRaw. |
I'm not distinguishing between RAW and cRAW for this discussion. Only trying to see if any Alpha can provide a RAW or cRAW file at less than maximum resolution. I was responding to this comment:
RubberDials wrote:
The camera also shoots at 12mp and presumably this would give you more headroom if you required it, even more if you switched to jpeg. |
My thought was that you will have to switch to JPEG to shoot at 12mp.
eccles wrote:
What the A700 does allow is to choose the resolution of the accompanying jpeg image when shooting raw+jpeg |
So it sounds like you're saying that the A700 does not allow you to shoot RAW (or cRAW) at less than maximum resolution either.
Edited by sybersitizen - 25 August 2011 at 17:06
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eccles
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Joined: 20 August 2007
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Posted: 25 August 2011 at 16:32 |
sybersitizen wrote:
RubberDials wrote:
The camera also shoots at 12mp and presumably this would give you more headroom if you required it, even more if you switched to jpeg. |
You might have to switch to JPEG to get images smaller than 24mp. That's the way most Alphas, including the A55, work. After a brief excursion through some user manuals, it appears that the A700 is the only Alpha that allowed RAW shooting at anything less than maximum resolution. If that's wrong, somebody please correct me. | The A700 has Raw and cRaw. Both are maximum resolution. What the A700 does allow is to choose the resolution of the accompanying jpeg image when shooting raw+jpeg
Edited by eccles - 25 August 2011 at 16:38
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sybersitizen
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Posted: 25 August 2011 at 16:28 |
RubberDials wrote:
The camera also shoots at 12mp and presumably this would give you more headroom if you required it, even more if you switched to jpeg. |
You might have to switch to JPEG to get images smaller than 24mp. That's the way most Alphas, including the A55, work. After a brief excursion through some user manuals, it appears that the A700 is the only Alpha that allowed RAW shooting at anything less than maximum resolution. If that's wrong, somebody please correct me.
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Shrek
Groupie
Joined: 25 November 2008
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Posts: 66
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Posted: 25 August 2011 at 16:28 |
I'm sorry, but the supposed benefit on vibration with a mirrorless camera is a nonsense. It will certainly help on a tripod, but for regular hand held shooting there won't be a benefit. I still need to use the (1/focal length * crop factor) formula when shooting with a nex, and I have steady hands and pixel peep.
If Sony want SLT cameras to take off, they will need to produce a REALLY good sensor and not sell it to Nikon IMO.
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Canon EOS 5D with Carl Zeiss T*
Canon EOS 60D with Nikon F
Sony NEX-3 with anything I can lay my hands on!!!
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Peekayoh
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Posted: 25 August 2011 at 15:52 |
Techno wrote:
A third of a stop - big deal. The Nikon SLR will lose significant clarity because of its moving mirror and its less accurate focus. People seem to dwell on the loss of light because of the fixed SLT mirror but can't see that the idea of a moving mirror (exactly at the time the photo is taken, of course) is a disaster for high resolution cameras. It might have worked OK in film cameras (when there was no alternative to looking through the lens if you wanted to see what the picture looked like) but not any more. | Well it's half a stop loss and as tigertimb points out, all other things being equal, the net result is more noise. But you got the bit about the mirror right. I don't think it's well understood how much of an impact vibration from the Mirror/Shutter has on an image. My own view, although I can't prove it, is that the gain from these two features more than compensates for the IQ losses due to the semi-transparent mirror. That's not counting the loss of the OVF which is the real killer for some.
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rsf3127
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Country: Brazil
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Posted: 25 August 2011 at 15:48 |
Regardless of moving or fixed mirror, or focus accuracy, Nikon is ahead of sony in noise management. For me this the main issue Sony will have to improve in this new camera line up in order to prevail over the other brands.
Edited by rsf3127 - 25 August 2011 at 15:58
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maewpa
Alpha Eyes group
Joined: 27 October 2007
Country: United Kingdom
Location: Thailand
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Posted: 25 August 2011 at 15:43 |
RubberDials wrote:
mawz wrote:
The only serious beef I'm seeing on the spec is the anemic buffer. The A77 and A65 with a 13 shot RAW/17 Shot JPEG Fine buffer have a distinct disadvantage compared to the A55 (20 RAW, 35 JPEG Fine) or A700 (18 RAW, unlimited JPEG Fine). I'm not sure what Sony was thinking here, as you'll max out the buffer in slightly over 2s in the best configuration at 8fps (that would be JPEG fine) where the A55 gets 5 seconds at its most similar config (7fps, JPEG fine) and the A700 will shoot until the card fills in its closest config (5fps, JPEG fine). Essentially the best configuration for the A77 (8fps, JPEG Fine) matches the worst config for the A55 (10fps, RAW) in burst length. |
I'm not a sports or action shooter so shoot me down if I'm wrong here, but isn't it unlikely that people would want to shoot long sequences in RAW at 24MP? That's a lot of post-processing and file management. I doubt if there's a professional sports photographer on the planet who shoots RAW, but I could be wrong.
The camera also shoots at 12mp and presumably this would give you more headroom if you required it, even more if you switched to jpeg. The Canon 1D mk IV - most's people's idea of a high speed cam can shoot between 23 and 32 frames 16MP (depending on the ISO) at RAW before the buffer is full, so I think the A77 performance is creditable. | Actually that is a very good point about 12MP (forgot about that). Filling the buffer over a few seconds rapid shooting is what most concerned me about the specifications, and that would take care of it. And I don't think you're necessarily right about shooting RAW at high speed - I think we're more birds and wildlife, the kids running around and some airshows and motor racing than professional sports here - and being Sony/Minolta users, a higher percentage of us probably shoot RAW than any the average brand users ('cos we're such serious photographers you know.  ). But I suppose I can't really speak for others.
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Paul aka maewpa
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Peekayoh
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Posted: 25 August 2011 at 15:39 |
gaging wrote:
As I understand, there is an on/off option for the electronic first curtain shutter. The electronic first curtain shutter seems like an advantage to me, so why would anyone want to turn it off? |
I believe it uses quite a bit of battery power.
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tigertimb
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Posted: 25 August 2011 at 15:37 |
Techno wrote:
tigertimb wrote:
Techno wrote:
BTW, you can't "tweak" a sensor. All Nikon do to the sensor itself is put a different interface on it (with the 16Mp they changed it from 12 bit to 14 bit). This has no effect at all on noise.
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But Nikon won't have the translucent mirror in the light path.
Where it loses a 1/3rd of a stop of light, this is recovered by Sony by gaining up the sensor, so effectively gaining 1/3rd of a stop of ISO and corresponding noise and dynamic range etc in the process.
This is clearly evident when you compare existing results of the A55 to the A580 - if Nikon are going to be using the same sensor, then they'll be significantly ahead of the game before they make any adjustments themselves  |
A third of a stop - big deal. The Nikon SLR will lose significant clarity because of its moving mirror and its less accurate focus. People seem to dwell on the loss of light because of the fixed SLT mirror but can't see that the idea of a moving mirror (exactly at the time the photo is taken, of course) is a disaster for high resolution cameras. It might have worked OK in film cameras (when there was no alternative to looking through the lens if you wanted to see what the picture looked like) but not any more. | I was purely responding to your comment that the noise on the sensor would be identical - with the same scene, the same exposure settings using the same sensor, the SLT automatically has worse noise. (and seeing the results of the A580 compared to the A55, I personally do consider this a big deal) But of course, these are different benefits from the A77 having less vibration and particularly with the electronic first shutter curtain. But I'm not quite sure why the focus would necessarily be any better - they're both using PDAF and neither being driven off the actual sensor?
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Tim If you appreciate comments on your photos, how about returning the favour to others . . .
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Techno
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Posted: 25 August 2011 at 15:15 |
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tigertimb
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Posted: 25 August 2011 at 14:34 |
Techno wrote:
BTW, you can't "tweak" a sensor. All Nikon do to the sensor itself is put a different interface on it (with the 16Mp they changed it from 12 bit to 14 bit). This has no effect at all on noise.
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But Nikon won't have the translucent mirror in the light path. Where it loses a 1/3rd of a stop of light, this is recovered by Sony by gaining up the sensor, so effectively gaining 1/3rd of a stop of ISO and corresponding noise and dynamic range etc in the process. This is clearly evident when you compare existing results of the A55 to the A580 - if Nikon are going to be using the same sensor, then they'll be significantly ahead of the game before they make any adjustments themselves
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Tim If you appreciate comments on your photos, how about returning the favour to others . . .
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klw10
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Posted: 25 August 2011 at 14:19 |
I hope it is better than the A55. I have found that the A55 is good but my A900 at the same ISO cleans up better in Light Room 3 in my opinion. Maybe I am the only one that feels that way but it does appear that way for me.
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Techno
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Posted: 25 August 2011 at 14:14 |
raebeizof wrote:
maewpa wrote:
[QUOTE=twm47099] ...... Unrelated and on reflection I'm wishing they hadn't bothered with the 24MP - at 16MP it might have been a near-perfect camera for me (well, a near-perfect specification EVF camera with movie function I won't use!). Still have high hopes for it, though and it looks like it will be a lot of fun to use. |
I completely agree.
It's a backward step from Sony if image quality/high ISO isn't even as good as the A55! We shall see though. I've just seen an image comparison between the A77 and a Sony NEX5. The images(s) were resized and the A77 image was much noisier.
On a side note, aren't Nikon going to be using the exact same sensor as the A77? They must be happy with it. Or maybe their sensor 'tweaks' are better than Sony's?
Anyway, I'm holding fire on my opinion and purchase until proper reviews appear from people here on Dyxum and elsewhere. |
If you resize the image to pixel level I think that the A77 picture is bound to be noisier than the 16Mp A55. If you look at the image (at the same size) it will almost certainly be less noisy. Sony aren't stupid. BTW, you can't "tweak" a sensor. All Nikon do to the sensor itself is put a different interface on it (with the 16Mp they changed it from 12 bit to 14 bit). This has no effect at all on noise. But you're right to await PROPER reviews of a production camera before making your judgement. I reckon the A77 is going to be a winner.
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gaging
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Posted: 25 August 2011 at 14:04 |
As I understand, there is an on/off option for the electronic first curtain shutter. The electronic first curtain shutter seems like an advantage to me, so why would anyone want to turn it off?
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