Minolta AF 24mm F2.8 A-mount lens reviews
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sharpness: 4.5 color: 5 build: 5 distortion: 4 flare control: 4 overall: 4.5 | tested on:
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ownership: | I own this lens |
compared to: | Sony a99 with Minolta AF 24mm F2.8 Minolta AF 50mm F1.4 Minolta AF 85mm F1.4 Minolta AF 100mm F2.8 Macro Minolta AF 24-50mm F4 Minolta AF 35-70mm F4 Minolta AF 70-210mm F4 (beercan) Minolta AF 35-105mm F3.5-4.5 |
price paid: | 90 USD |
positive: | 1.小巧的風景鏡頭 2.室內對焦距離夠短夠廣 3.堅固的構造 |
negative: | Minolta 太多好用的鏡頭,這顆出場率不高 |
comment: | 靠近拍拍人帶景可以玩出很多很有趣的相片。 |
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sharpness: 4.5 color: 5 build: 5 distortion: 4 flare control: 4 overall: 4.5 | tested on:
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ownership: | I own this lens |
compared to: | Sony 20mm f2.8 Minolta 28mm f2.8 Sigma 24-105 f4 |
price paid: | £58.00 |
positive: | Small Light Good rendition Quick autofocus |
negative: | Vignettes |
comment: | I have a very odd copy of this lens, in that it has no Minolta logo or lens focal length markings either side of the focal range window. Everything else is standard though. Maybe a pre-release for a show, or a Friday afternoon QC error. Who knows? Great little compact wide to ultra-wide prime, that is relatively fast, but best used stopped down, as vignette occurs wide open and is difficult you use with any filter attached until at f4. This of course can be corrected in processing. For landscapes, this is almost the perfect FL and produces sharp, colourful images. My copy came without a hood, but I have recently acquired the 35mm f2, which uses the same hood, for use on sunny days. At the price I paid, this lens is an absolute bargain. midway between the 20mm and 28mm, this is a very useful FL and although the Sigma is sharper at 24mm (only just), the price and weight difference just speaks for itself. Armed with this lens and a nifty fifty and maybe a 135mm too, this is a perfect bag for a walkaround day. |
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sharpness: 4.5 color: 5 build: 5 distortion: 4 flare control: 4 overall: 4.5 | tested on:
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ownership: | I own this lens |
compared to: | Primes: Minolta - AF 20 F2.8 Minolta - AF 20 F2.8 RS Minolta - AF 28 F2.8 Update: Minolta - AF 28 F2 Sigma - 24 f2.8 super wide Update: Sigma - 24 f2.8 super wide AF version FF Zooms: Minolta - AF 24-50 F4 Minolta - AF 24-85 F3.5-4.5 RS Minolta - AF 24-105 F3.5-4.5 D Update: Sony CZ 24-70 F2.8 APS-C zooms: Minolta - AF DT 18-70 F3.5-5.6 D Sony - DT 16-50 F2.8 SSM Sony - AF DT 18-55 F3.5-5.6 SAM Sony - AF DT 18-55 F3.5-5.6 SAM II Sony - AF DT 18-70 F3.5-5.6 Sony - AF DT 18-250 F3.5-6.3 Tamron - 16-300 F3.5-6.3 Di II PZD MACRO Update: Sony CZ 16-80 |
price paid: | 80 GBP |
positive: | Inexpensive, small, light, and sharp. |
negative: | Not up to modern standards of micro-contrast or flare control - but it's not priced as a modern lens. |
comment: | 24mm is a focal length that almost every A-mount user will have covered by a zoom or three, some of which cover it very well (I am particularly thinking of my Sony 16-50mm f2.8). The obvious issue is that most of the zooms covering this FL are APS-C only, unless you have a very expensive modern FF 24-xx zoom there are just a few Minoltas (24-50, 24-85 & 24-105) which are nice, not great, lenses. I love primes - enough reason in itself to buy this lens, but there are other reasons: Its performance may not be absolute top drawer, but it remains the second highest scorer in Dyxum reviews only surpassed by the Sony CZ 24mm f2- which is five or more times the price (out of my budget range) and almost three times the size/weight (though I still want one). 24mm is also a great street photography lens on an APS body - combine this little lens with an A58 and you have as unobtrusive a combo as you can get in A-mount. So, how does it perform? Sharpness is very good, stop it down for best results, but even at f2.8 it performs really well. Colour is typical Minolta. These 1980s primes were built to last - as they have. Distortion is minimal, less than one might expect on FF, I rarely correct it, but it is easy enough to do if you want squared off perfection. Flare control is pretty good for the 1980s - not bad, but not brilliant either; put the sun in frame and there is plenty of ghosting and CA will rear its ugly head in the usual sort of places (this too is easy enough to correct in PP). Comparisons: My other wide Minolta primes are the 20 and 28mm f2.8s - the 24mm is on a par with the 20mm and far better (sharper) than the 28mm - but angle of view is what they are about - the 20mm wins for dramatic FF shots whereas the 24mm is still good on FF and ideal for candid stuff on APS. My other 24mm prime, the manual focus Sigma Ultrawide, is no match for the Minolta. My FF zooms are not as sharp at 24mm, nor are most of the APS kit zooms - however, if you shoot APS, and you've got a lens of the quality of the Sony 16-50mm and are not a prime fanatic you don't really need this one. Update: I have added a few lenses to my collection. The AF version of the Sigma 24mm f2.8 is pretty close to the Minolta. The Sony CZ 24-70mm f2.8 FF zoom is as good as this prime, but so, so much bigger and heavier. The Minolta 28mm f2 is a class above the 24mm - if you don't need the extra 4mm it's a no-brainer. The Sony CZ 16-80 is not in the class of the 16-50, but it's still pretty good, the 24mm is no better. |
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sharpness: 4.5 color: 5 build: 5 distortion: 5 flare control: 4 overall: 4.7 | tested on:
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ownership: | I have experience with this lens |
compared to: | MAF 28 f 2.8, MAF 28-135 F 4.0-4.5, |
price paid: | ca.200 EUR |
positive: | Well built, metal prime lens, wide angle view, sharp, F.2.8 |
negative: | Not zoom. |
comment: | Nice sharp lens, wide angle view, very sharp, good for landscapes, useful f 2.8, better than MAF 28 F 2.8. Produce good colours and sharp images. I had this lens. |
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sharpness: 4.5 color: 5 build: 4 distortion: 4 flare control: 4 overall: 4.3 | tested on:
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ownership: | I own this lens |
compared to: | Tamron 24-70mm f2.8 Tamron 15-30mm f2.8 |
price paid: | 240USD |
positive: | Very compact, quick/accurate focusing and sharp. Very nice old-school Minolta colors. Great as a walk around lens. |
negative: | For what I paid, I can't complain. |
comment: | This is my 1st review ever...since I received my A99ll. I love this lens over my Tamron 24-70mm f2.8 set at 24mm. Using the Tamron 15-30mm f2.8 indoors can be down right tiring without a monopod. I don't mined that it's not weather sealed because, I really don't use it outdoors when the weather isn't great. |
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sharpness: 2 color: 4 build: 4 distortion: 3 flare control: 3 overall: 3.2 | tested on:
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ownership: | I used to own this lens |
compared to: | dozens of lenses |
price paid: | 140 |
positive: | nice hood solid old school build |
negative: | soft soft soft soft SOFT manual focus with hood attached is very difficult (buy the RS version instead) |
comment: | my first and only one word review... CRAP |
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sharpness: 4.5 color: 5 build: 5 distortion: 5 flare control: 4 overall: 4.7 | tested on:
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ownership: | I own this lens |
compared to: | Minolta 24/2,8 Minolta 28/2,8 Minolta 50/1,7 Minolta 100/2,8 Macro Sigma 300/4,0 Minolta 28-35/3,5-4,5 Minollta 35-70/4,0 Minolta 70-210/4,0 |
price paid: | missing |
positive: | Yery sharp, some disortions and good flare conrol, which are OK for a wide angle lens. Sharp in the center wide open, edges will get sharp at f5.6 to 8 on full frame, and about f5-6 on APS-C |
negative: | nothing |
comment: | Great lens! |
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sharpness: 4 color: 5 build: 4 distortion: 4 flare control: 3 overall: 4 | tested on:
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ownership: | I used to own this lens |
compared to: | Rokinon 16 F2 Sony E 16 F2.8 Tamron SP 17-35 F2.8-4 Tokina AF 17 F3.5 Samyang AF 18 F2.8 Sigma 19 F2.8 DN Art Sigma 20 F1.8 EX DG Tamron 20 F2.8 OSD M1:2 Sony E 20 F2.8 Minolta AF 20 F2.8 & RS Sigma 24 F1.8 EX DG HSM Sony Distagon 24 F2 ZA SSM Tamron 24 F2.8 OSD M1:2 Samyang AF 24 F2.8 Sigma AF 24 F2.8 II Discover/Neewer 25 F1.8 Canon EF 28 F1.8 USM Sigma 28 F1.8 HS & EX DG Minolta MD & AF 28 F2 Sony FE 28 F2 Canon EF 28 F2.8 IS USM Minolta/Sony AF 28 F2.8 Neewer 28 F2.8 |
price paid: | 95 USD (used) |
positive: | Size and weight Internal, rear focus Well-centered Low barrel distortion Reversible petal hood 55 mm filter threads |
negative: | Curved field Minor lateral CA (blue/red) Minor focus breathing Short focus throw Small, hard plastic focus grip Not very sharp |
comment: | A nice clean copy with original hood and caps purchased on eBay. The retail price of this lens was $300 when released in 1985. It just is not competitive on digital cameras. "JAPAN" This is one of the smallest A-mount lenses. It is identical in length to the Sigma Super Wide II, but doesn't extend like that lens to focus close. The focal length remains wider than the Sigma at close focus. The Minolta build feels much nicer than the Sigma. The Sigma has a much longer focus throw and closer focusing ability. The Sigma also has a bit more barrel distortion. Both old 24 mm primes are very similar in color. The reversible petal hood is nice though certainly small for an APS-C crop. It uses a three lobe bayonet. The larger petal hood from the 28 and 35 F2 lenses will mount as will the circular hood from the later 100mm F2.8 Macro lenses. |
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sharpness: 3 color: 4 build: 4 distortion: 4 flare control: 4 overall: 3.8 | tested on:
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ownership: | I own this lens |
compared to: | - Minolta 20mm f2.8 - Minolta 28mm f2.8 |
price paid: | 100 Euro |
positive: | - Good for ASP-C |
negative: | - Bad for full frame |
comment: | The 24mm is the most disappointing Minolta prime lens I've got. It's ok for ASP-C (resulting in a 36mm lens) but on full frame body the corners are soft below f5.6. The 24-85mm lens is much sharper, in center and in the corners. The Minolta 35mm, 50mm, 85mm and 135mm lenses are gold, the other 2.8 primes are so-so. It's the weakest f2.8 lens, the 20 and 28 are sharper. |
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sharpness: 4 color: 5 build: 5 distortion: 5 flare control: 4 overall: 4.6 | tested on:
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ownership: | I own this lens |
compared to: | Sigma 28-70mm f3.5-4.5 on Maxxum 7000 |
price paid: | £70 |
positive: | Build quality, internal focus, metal, fast focus, sturdy hood, 55mm metal filter thread |
negative: | None |
comment: | This is an excellent compact lens. I use it on my full frame a900 where it delivers a nice wide field of view, shallow enough depth of field when needed, saturated colours and reasonable sharpness. With a focal length of 24mm it is a lens that I see as purposefully wide, opposed to a 35mm for example which lies in-between wide and normal. A wide prime is harder to use initially but once you start seeing wide the resulting photographs are rewarding. Good focal length for sweeping outdoor vistas with plenty of sky or foreground and unorthodox indoor portraiture, think fashion photography. I use it for portraiture, travel, art and scene setting cinema style photography. f2.8 is a bright enough aperture for this type of lens and also keeps it compact, the same size as the Minolta 28mm, 35mm f2 and 50mm. You don't use a wide lens for bokeh although the OOF areas are pleasing, you use it for composition and content, so f2.8 is plenty even for low light with the a900. The colours are well saturated. No real need for a CPL with this as you can get deep blue skies with practise. Focus is fast, as fast and possibly faster than my 200mm f2.8 HS, but may miss at longer distances. Thankfully they have a smooth focus ring for manual focus. Internal focus is an overlooked plus. It keeps the inside of the lens dust free and makes the lens feel better built overall. On APSC it has the same field of view as a 35mm, but doesn't feel wide or long enough, I'd rather use a DT 35mm on that format for a 50mm equivalent. |
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sharpness: 3 color: 3 build: 4 distortion: 4 flare control: 3 overall: 3.4 | tested on:
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ownership: | I own this lens |
compared to: | 16-50mm DT, 50mm 1.4 Zeiss |
price paid: | 180.00 |
positive: | Light, small, decent build. |
negative: | CA, corner sharpness |
comment: | I've had this lens for a few years now. It's not bad in that- when you have a good amount of light- it can produce very nice images. It's not all that sharp though. You shouldn't expect that either given it's a 24mm. Corners are a bit of a let down even at F11. My 16-50mm DT does better at any F stop then this 24mm 2.8. You get some ghosting wide open but I suspect that's do to it being built for film not the 4mm or so thick glass on top of a digital sensor. Bokeh isn't bad either but don't expect crazy amounts of sharpness out of this thing. It just aint going to happen. |
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sharpness: 4 color: 4 build: 5 distortion: 5 flare control: 3 overall: 4.2 | tested on:
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ownership: | I own this lens |
compared to: | - sony 35/1.8 - sony 16-80 |
price paid: | missing |
positive: | - useful focal length - sharp center at any aperture - fast AF - inconspicuous - minolta colors |
negative: | - lateral color fringing - distinct resolution fall-off in the corners, even at f8/f11 - prone to flare/loss of contrast if sunshade not used |
comment: | This is an enjoyable little lens to use on aps-c, making it a good one-lens solution if one wishes to travel light and be inconspicuous. However, optical flaws are readily observed (see cons above) due to its dated optical design and coatings. |
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sharpness: 4 color: 4 build: 5 distortion: 4 flare control: 4 overall: 4.2 | tested on:
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ownership: | I own this lens |
compared to: | Minolta 20 AF, Sigma 19, 18-55 SAM, 50 f1.4 & 50 Macro D |
price paid: | £140 |
positive: | Rear element focusing (so you can hold it against glass to avoid reflections and let it AF) and short snappy screw drive AF. very cheap s/h |
negative: | None. |
comment: | Lovely F/L on either Full-frame or APS-C, and this is a lovely lens to use. My RS was stolen but the (o) is just as nice and tends to be remarkably cheap: get one with a hood for preference. |
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sharpness: 5 color: 5 build: 5 distortion: 5 flare control: 5 overall: 5 | tested on:
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ownership: | I own this lens |
compared to: | - FE35 - 50 1.7 |
price paid: | 118 GBP (mint) |
positive: | - contrast - overall IQ - detail - price |
negative: | - nothing at this price. |
comment: | Love it, has the everything I point at looks interesting factor. |
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sharpness: 4.5 color: 5 build: 5 distortion: 5 flare control: 4 overall: 4.7 | tested on:
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ownership: | I own this lens |
compared to: | Sony 16-50 f/2.8 SSM |
price paid: | About $200 USD |
positive: | Small, light, sharp, fast, well built. Fun |
negative: | Some vignetting wide open on FF. |
comment: | I've had this lens for about a year. It is a great companion for my a55. This combo is light and discreet. It works out to a medium wide angle with APS-C. I carry this kit around almost all the time. I love it. It is just a bit soft wide open, but after f/4 it is just fine. 10/18/18 Update: I've now used this lens on the A77mk1 and mk2, and now on FF. I still love this lens, but I do see some significant vignetting at f/2.8. |
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sharpness: 5 color: 5 build: 5 distortion: 5 flare control: 4 overall: 4.8 | tested on:
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ownership: | I own this lens |
compared to: | 35 f1.8 50 f1.4 sigma 10-20 f4.5 |
price paid: | 240 CAD |
positive: | Price sharpness f2.8 size (fits in a pocket) |
negative: | vignette at f2.8 on A99 |
comment: | This is a fantastic prime lens. Classic Minolta. Fast to focus. Is sharp from f2.8 very sharp at f8. I compared this side by side to my sigma 10-20 and this lens is much sharper. Even the corners are not bad at all. Colours are classic Minolta. Light weight and a steal at around $200 plus shipping. |
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sharpness: 4.5 color: 5 build: 5 distortion: 5 flare control: 5 overall: 4.9 | tested on:
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ownership: | I own this lens |
compared to: | 16-50 2.8 |
price paid: | 75 euro |
positive: | Small Light 2.8 36 mm on APS-C Sharp Good colours |
negative: | Hard to find the original hood. But found one on the Fotografica Fair for euro 10. |
comment: | There was no hood on the lens, but I am not complaining for that price. Love that it is compact and an overall great performer. |
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sharpness: 5 color: 5 build: 5 distortion: 5 flare control: 5 overall: 5 | tested on:
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ownership: | I own this lens |
compared to: | Any other mid range W.A. lens I have used. |
price paid: | 170 Usd |
positive: | Light Sharp Inexpensive |
negative: | Not a thing |
comment: | Purchased mine used in mint condition with original caps and petal sun shade. I have not detected the performance fall off that others have reported at f2.8. This is a great companion to my M.A.F. 50mm f4 macro. |
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sharpness: 4.5 color: 5 build: 5 distortion: 5 flare control: 5 overall: 4.9 | tested on:
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ownership: | I own this lens |
compared to: | missing |
price paid: | 250 usd used |
positive: | Sharp f2.8 Build quality colors |
negative: | missing |
comment: | Awsome lense,sharp, have nice colors, maby too much blue but its not a problem for me,also not that wide at crop sensor but also im fine with that. |
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sharpness: 4.5 color: 5 build: 5 distortion: 4 flare control: 5 overall: 4.7 | tested on:
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ownership: | I own this lens |
compared to: | Sony 18-55 f/3.5-5.6 Minolta 28-80 f/4-5.6 Tamron 17-50 f/2.8 Minolta 28 f/2.8 Sony DT 35 f/1.8 Minolta 50 f/1.4 Sony DT 50 f/1.8 Sigma 70 f/2.8 Macro Minolta 135 f/2.8 |
price paid: | 800 SEK |
positive: | Lightweight. Nice colors. Shapness. Excellent build. Small. |
negative: | Some minor flares if sun is in the corner. Busy bokeh at f:2.8 |
comment: | I like this lens for sharpness, colors, weight and size. Bought at swedish ebay (tradera) for 800 SEK = 118 USD = 92 EURO. Way better than the Minolta 28-80 above. Only little better sharpness than the Sony 18-55 kit lens and the tamron 17-50. Really good colors. |
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sharpness: 3.5 color: 5 build: 5 distortion: 5 flare control: 4 overall: 4.5 | tested on:
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ownership: | I own this lens |
compared to: | Sigma 24mm f2.8 Carl Zeiss 16-35mm KM 17-35mm Sigma 12-24mm |
price paid: | missing |
positive: | Tiny & light Classic Minolta colour Good edge sharpness & very good once stopped down |
negative: | unimpressive sharpness wide open (especially given it's a prime) |
comment: | Optically it's in a similar class to the cheaper Sigma 24mm f2.8, though slightly sharper edges, better colour/contrast and smoother focus. Both aren't overly sharp wide open and their sharpness rating reflects that weakness but they but improve quite a bit as you stop down. At f8 there isn't much difference between this and the cz16-35mm, given it's the kind of lens that will typically be used at f5.6-11 I don't think it's a huge practical downside. I think the Minolta is much more pleasing than the Sigma 24mm but I stop short of considering it a class above, while it's certainly worth paying more for the Minolta I don't think it's worth 3x the amount it sometimes commands. |
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sharpness: 4.5 color: 5 build: 5 distortion: 4 flare control: 4 overall: 4.5 | tested on:
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ownership: | I own this lens |
compared to: | Minolta AF28 f2.8 Minolta AF50 f1.7 Minolta AF50 f1.4 |
price paid: | 198 USD (USED) |
positive: | Sharp Cheap Lightweight Build 2.8 |
negative: | Only 2.8 36mm on crop sensor slight edge distortion |
comment: | Nice lens all around Can be less sharp at 2.8 Little narrow in crop sensor but 36mm is very well for everyday use. I took this to replace 28 f2.8 and it's worth for a higher price. NOTE: When use its hood backwards the manual focus is impossible. |
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sharpness: 5 color: 5 build: 5 distortion: 5 flare control: 4 overall: 4.8 | tested on:
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ownership: | I own this lens |
compared to: | 17 50 2.8 18 280 sony |
price paid: | 135 CHF |
positive: | Sharpness Works nicely on a77 minolta colours |
negative: | had to fine tune focus adjustment, does not work on my other camers well |
comment: | This lens is a great little performer. is light so great for walk around landscapes. kind of more limited than a zoom for walk around found mysels swapping lenses but for specific purposes very useful. I had to micro adjust this lens so without micro adjust found it was not sharp. |
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sharpness: 4.5 color: 5 build: 5 distortion: 5 flare control: 4 overall: 4.7 | tested on:
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ownership: | I own this lens |
compared to: | Minolta 28/2.8 Minolta 50/3.5 Minolta 35-105 1st Gen. Minolta 70-210 1st Gen. |
price paid: | missing |
positive: | Size Hood Color Sharpness Fast AF Good 35mm equivalent on aps-c |
negative: | missing |
comment: | This is the lens i chose, when i take no others with me. The perfect walkaround-prime for Aps-c. i think the tiny focus ring is pretty handy with the hood on! |
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sharpness: 5 color: 5 build: 5 distortion: 5 flare control: 5 overall: 5 | tested on:
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ownership: | I own this lens |
compared to: | 28mm f2,8 50mm f1.4 135mm f2.8 35-70mm f4 70-210mm f4 50mm Macro f2,8 100mm F2,8 macro 80-200mm f2.8 Sigma APO 300mm f4 Sony Zeiss 16-80mm f3,5-4,5 |
price paid: | 240 euro mint |
positive: | Well Built,Solid construction Light and compact Good colours Outstanding sharpness and good DoF Flare resistant No distortion, very nice bokeh Super fast focusing speed Comes with bayonet hood 55mm filter thread Internal focusing Very compact Wide aperture 2.8 36mm equivalent on digital The one prime solution for travelling light |
negative: | For what it is, I can't think of a negative. |
comment: | Great light carry lens. Partnered with a 50mm and 135mm, this functioned well for me as part of a walkabout prime set. I wanted the 24mm for a bit of extra coverage. It covers most shooting situations, groups of friends indoors and outdoor shots of landmarks. This is a forgotten lens because it is really an excellent performer! I am very pleased about the results that it gave on last holidays. Its focal length is ideal for group photos (group size 5~15). It generates pleasing skin tone Picture is razor sharp and the colours are rich. Can get some nice 'close subject in the foreground, wide bokeh landscape in the background' shots. The prime for city photo with 36mm on Digital. If you're also shooting architecture and landscapes this is the lens you are looking for. One of the best things about this lens is the flare control. No flare or halos, totally flare resistant. Very compact and solidly built and comes with 55mm filter thread just like the most Minolta lenses. Use the top quality Skylight 1A filter for protection. There is no vigneting at all unless you stack more filters. Minolta 24mm f/2.8 is simply one of the sharpest in the Minolta line-up. I highly recommend to get this lens either used or new. I'm simply blown away by its performance and I'm sure you'll also. |
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sharpness: 4.5 color: 5 build: 5 distortion: 5 flare control: 3 overall: 4.5 | tested on:
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ownership: | I own this lens |
compared to: | CZ 24-70mm M 28mm f2.8 S 35mm f1.8 |
price paid: | £160 |
positive: | Compact Solid build Sharp |
negative: | Tiny focus ring Flare |
comment: | I was looking for a small light wide lens to use instead of my big heavy 24-70 and on a small budget. (24mm f2 SSM was way out of budget) Sharp from f2.8 and much better build than the modern budget Sony primes. The tiny focus ring can make it sometimes difficult when using manual focus for stills or video. Seems better than the 28mm f2.8 I had some years ago. For the price you can get these you can't go wrong. |
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sharpness: 5 color: 5 build: 5 distortion: 5 flare control: 4 overall: 4.8 | tested on:
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ownership: | I own this lens |
compared to: | missing |
price paid: | 0 EUR (mint) |
positive: | Compact, fast, sturdy. |
negative: | missing |
comment: | Great lens, a neighbour gave me a 7000 with this lens on it as a random present since he knows I love cameras. I tested it on a friends Alpha200 and it worked beautifully. |
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sharpness: 4.5 color: 5 build: 5 distortion: 5 flare control: 4 overall: 4.7 | tested on:
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ownership: | I own this lens |
compared to: | Min 28/2.8 Tamron 17-50/2.8 |
price paid: | 100 USD (used) |
positive: | Sharpness Color rendition Compact size |
negative: | I wish I had a full frame :) |
comment: | I was lucky to find a great copy with some small cosmetic defects. I love this lens, though I've not had too much experience shooting with it yet. It's pretty sharp wide open and gets even better stopped down a bit. The color rendition is gorgeous and I prefer it in every way to my Minolta 28/2.8. Time will tell if this can compete with my Tamron 17-50, which is sharp and I love the extra range on the wide end... but shooting an old, quality prime just feels so right. |
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sharpness: 5 color: 5 build: 5 distortion: 5 flare control: 5 overall: 5 | tested on:
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ownership: | I own this lens |
compared to: | Minolta 28mm F2.8 |
price paid: | USD 310 |
positive: | Sharp, Minolta Colour, light and convenient. |
negative: | missing |
comment: | missing |
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sharpness: 4.5 color: 5 build: 5 distortion: 4 flare control: 4 overall: 4.5 | tested on:
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ownership: | I own this lens |
compared to: | Sigma 28 f1.8 EX DG Minolta 24-85 |
price paid: | 156 GBP (mint) |
positive: | Sharpness whe stopped down a touch, Colours Size and weight |
negative: | Sharpness below f4 Flare - fitted rubber hood to my copy |
comment: | Nice lens, but disapponting below f4. Sharper than the Sigma at all comparable apertures. Needs effective hood. Surprisingly (but not if you look at MTF ratings) the 24 mm end of the 24-85 equals it from f5.6 upwards. |
rating summary

- total reviews: 105
- sharpness: 4.49
- color: 4.83
- build: 4.80
- distortion: 4.59
- flare control: 4.20
- overall: 4.58
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