Minolta AF 35-80mm F4-5.6 II A-mount lens review by QuietOC
 QuietOC#23463 date: Jan-1-2016 | |
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| sharpness: 4.5 color: 5 build: 4 distortion: 4 flare control: 4 overall: 4.3 | tested on:
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| ownership: | I own this lens |
| compared to: | Canon EF 22-55 USM Minolta AF 24-50 F4 Canon EF 24-85 F3.5-4.5 USM Minolta AF 24-85 F3.5-4.5 & RS Minolta AF 24-105 F3.5-4.5 D Sony FE 28-70 F3.5-5.6 OSS Tamron 28-75mm F2.8 Di III RXD Sony 28-75 F2.8 SAM Tamron SP 28-75mm F2.8 XR Di Tokina 28-80 F2.8 AT-X Pro Minolta AF 28-80 F3.5-5.6 D Minolta AF 28-85 F3.5-4.5 Minolta AF 28-100 F3.5-5.6 D Sigma AF 28-105 F2.8-4 Canon EF 28-105 F3.5-4.5 USM II Minolta AF 28-105 F3.5-4.5 & RS & Xi Minolta AF 28-135 F4-4.5 Minolta AF 35-70 F4 Minolta AF 35-105 F3.5-4.5/New Sigma AF 35-135 F3.5-4.5 Minolta AF 35-200 F4.5-5.6 Xi Tokina AF 35-200 F4-5.6 SD |
| price paid: | 11 USD (used) |
| positive: | Very small and light Mostly parfocal Sharp wide-open Minimal CA Smooth zoom mechanism Close focusing Deeper hood than 28-xx/18-xx kit zooms |
| negative: | Slow aperture Moderate purple fringing wide-open, worst on wide end Minor focus shift with zoom Moderate focus breathing Rotating filter threads Narrow, hard plastic focus ring Some barrel distortion at 35 mm |
| comment: | A couple of nice looking silver copies purchased on eBay. On the first the ribbon cable to the focal encoder had come partially unglued maybe from the cold and got stuck in the zoom mechanism which then cut through the cable severing 4 of the wires. Auto focus doesn't work without focal length information. I was impressed enough with it that I purchased a second fully-working copy for the same price. "MALAYSIA" F4.5 40 mm F5 40 to 55 mm This lens works similarly to the more recent kit lenses. Like the later 28-80 and 28-100 D lenses it is shortest at the 50 mm setting. It is smaller than those lenses, but slightly longer than the older 35-70 lens. It seem to be the lightest A-mount zoom--about the same weight as the DT 30 Macro. The zoom mechanism is very smooth and nicely dampened. It is much smoother and quiter than the other kit lenses even slightly better than the 18-55 SAM II. The rubber grip is a bit wider than the one on the 18-55 and much better than the narrow hard one on the 35-70 f/4. The hard plastic focus grip on the end of the barrel is horrible and basically useless with a hood attached. The first copy is sharper than the more expensive normal zooms. It also doesn't have the warm color cast of the original 35-70 and 35-105 zooms. The second copy of the 35-80 II is much softer on long end. The third copy is in between. All show a good deal of purple fringing wide open at the short end of the zoom range. The hood bayonet is identical to the 70-210 f/4.5-5.6. The larger hood from that lens should work well for this lens on APS-C bodies. The original hood is slightly larger than the clip-on hood on the 35-70 f/4. Overall pretty good performance out of such a tiny, light zoom lens. The focal range is good for portraiture on APS-C. The extra 10 mm at the long end is probably not worth the stop loss compared to 35-70 f/4. The much closer focusing is an advantage over the other lenses. The heavy purple fringing in shadows near high contrast wide open at 35 mm is a drawback, but it mostly goes away by f/5.6. Test chart comparison on an A65 with the 35-70 F4 and others. |
; 10MPrating summary
- total reviews: 26
- sharpness: 4.38
- color: 4.69
- build: 3.54
- distortion: 4.19
- flare control: 3.62
- overall: 4.08